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Making it up as I go along

Making it up as I go along

Tag Archives: Extract

Wild Spinning Girls… an extract…

21 Sunday Jul 2019

Posted by Carol Lovekin in Uncategorized

≈ 9 Comments

Tags

Book 3, Extract, Wild Spinning Girls

The woman who makes me a better writer did her work & now I’ve done mine. At least I hope so. They say a book is never completely finished & I concur. At this stage, pre-copy-edit & proofreading, there’s still space for ‘intervention’ of some kind or another.

Wild Spinning Girls will be published in February 2020. In the meantime dear reader, as you have have been so kind – shown such keen interest in this third book – I’m offering up an extract. It passed muster without comment in the dreaded tracked changes & sets the scene rather nicely.

Enjoy.

~~~~~~~~~~~~~~~~~~~~

Five

Smoke-coloured sky stretched for miles.
   Midafternoon and still at least a hundred miles to go. Instead of stopping at one of the numerous motorway service stations, Ida turned onto a slip road, pulled into a lay-by next to a stone bridge, snacked on bananas, nuts and a chicken wrap she’d picked up in a supermarket before leaving. (Years of not eating, in order to stay thin, meant she’d had to learn not to be afraid of food. She was still working at it.)
   As she listened to a trickling stream beneath her, Ida tried to work out if it came from Wales or, like her, was trying to find its way back. 
   On the motorway once again, crossing a different bridge, she saw how this one rose in a majestic ripple of slender metal lines. Its elegance was lost on her. Ida saw only bars and their towering vastness stunned her.
   Croeso i Gymru.
   Welcome to Wales.
   She may as well have been driving into Patagonia.
   Fumbling in her purse for the toll fee, the sense of separation was complete.
   ‘Sorry, I don’t have the right money.’
   The man in the booth reached down to hand her the change. ‘No worries, bach. There you go. Safe journey.’
   After a couple of hours the motorway narrowed to dual carriageways and lanes. Towns gave way to villages and eventually to scattered countryside beneath careless skies. As she drove closer to her destination, Ida returned to the mental list she’d been compiling since she’d set off; things she’d need to do once she reached Ty’r Cwmwl.
   She tried the Welsh name again out loud, tripping over the lack of vowels.
   ‘Bloody silly language.’
   Cloud House it would have to be. And top of the list would be cleaning. The house was bound to be dusty and neglected. As for the contents, she couldn’t imagine wanting to keep anything. The furniture would be older than she was. Possibly older than her father. Ida frowned, but her dismantled memories revealed nothing. She would get essential repairs attended to and sell the house as seen.
   Pulling onto the side of the road again to check the map on her new phone, Ida squinted at the screen, zooming in. The house still appeared like a dot in the middle of nowhere, a mile from the closest village and another twenty from the nearest town.
   There was a text from Liz. Are you there yet? x
   Ida shaded her eyes, watched as lines of edgeless curving land merged into an illusive vanishing point. For a fanciful moment she could believe that reality and myth had become interlaced. Flicking off the phone, she looked up again, for a connection, a moment of recollection.
   I’m a bit Welsh…
   It didn’t come and a sense of unease enfolded her. What memories she did have were her mother’s cast-offs.
   Horrid place … I hated it.
   Finally, her uncertain memory led her, more by luck than good judgement, to the right road. Too narrow and insignificant to warrant a number, it uncurled through the imprecise light, finally arriving at an open gate flanked by broken, intermittent dry-stone walls.
   A solid metal sign bolted into a stone upright bore the legend: Ty’r Cwmwl.
   Twenty-nine years ago, she had been born here. For five years it had been her home. The last time she’d driven down this track she had been barely big enough to see through the back window of her father’s car as it jolted away from the house.
   Ida had a vague memory of her mother tucking her into her arm, as if she hadn’t wanted her daughter to see what they were leaving behind, and make a memory. 
   She needn’t have worried.
   Gazing around her now, Ida recalled very little of either the house or her surroundings. Other than the sky, wide and endless and, regardless of the season, always with an edge of winter, nothing was familiar. The marbled, changing glare of it reached for miles. 
    And in each direction, falling away in a palette of washed-out colour, a landscape out of legend.
   There were no landmarks, only barren moorland and rocky outcrops. Skinny blackthorns with witch finger branches fought the prevailing wind making it hard to believe they could ever grow leaves. Ida blinked, searched her fragmented memories; anything to reassure herself being there was a good idea.

© Carol Lovekin

Sir Kyffin Williams


   

“Writing is a verb” *

21 Sunday Jan 2018

Posted by Carol Lovekin in Uncategorized

≈ 15 Comments

Tags

Extract, Quotations, Snow Sisters, Twitter, Writing, Writing Advice

Island Life, Word Birds & Process

With three weeks of the new year behind me, I’ve effectively managed to swerve any notion of resolutions. I am resolved to write. I’m always resolved to write! Writing is my activity of choice.

Back in the day (the Live Journal days) I wrote reams about my writing process. LJ was my La La Land of Hope while I waited for my moment, largely convinced it would never come. When it did, I created this blog, because it’s a more professional looking site & I was keen to attract a bigger audience. By & large it’s worked. Trolls notwithstanding (we all get them: mysterious beings who come & go) I have a nice following. No idea how many read me & although I appreciate each & every one of them/you who engage & comment, if others don’t, it doesn’t matter.

I still write for me, the difference is, I’ve now published two books. When people ask me what I do & I say, ‘Write books’ they nearly always reply, ‘What are they about?’ (I do the same thing myself.) Nowadays I tell them I write ghost stories with a dash of Welsh Gothic.

Ever since I first began writing I’ve guarded my words. All my writing is first & foremost for me – including my stories. If they don’t please me, why would I imagine anyone else would want to read them? So yes, I like them polished before I share. I would never share from a work in progress (work in chaos?) & for fear of coming across as a diva, up until now I’ve shied away from even published extracts. But, as someone lovely said to me recently, time to get over myself…

Today then, I’m following Ms Harris’ advice. If you’re still with me, dear reader, please find below, a short extract from my second book, Snow Sisters.

ss 1 (2)

Ghosts linger in the seams and cracks in time; the still places between human breath.
In Meredith’s dreams there was now no ambiguity. She woke with them intact, each detail imprinted. She didn’t know what to do with the weight of Angharad’s sadness. In the darkness, she made her way to Verity’s room, curled in beside her sister, and for once, Verity didn’t complain.
‘I wish she’d stop crying,’ Meredith said. ‘It’s the saddest thing in the world.’
Verity gazed at her sister’s face. Her skin was as thin as a soap bubble.
‘A bad thing really did happen to her, Verity.’
‘Yes, I think it did.’
‘Even though it’s hard for her, she doesn’t want to leave anything out.’
‘You mustn’t leave anything out either, Meri – tell me everything you can remember. I can’t bear for you to be sad too.’
‘Are we in this together then?’
Verity recalled the desolate look on the ghost’s face, how she disappeared through the wall; she felt the snowball against her skin and the sensation of fainting. The idea that she had imagined any of it now seemed improbable. Whatever purpose or plan the ghost had, Verity wasn’t going to leave her sister to deal with it alone.
And if I deny Angharad, Meri won’t. she won’t stop, whatever I decide.
‘I promise.’
Meredith nodded. Beneath her eyes the skin was still blemished with fatigue.
‘Have you had any sleep?’
‘I must have or I wouldn’t have dreamed.’
Verity stroked Meredith’s hair away from her forehead. ‘It doesn’t count. You need proper sleep without dreaming. Why don’t you stay here? I’ll read you a story if that helps.’
Meredith’s eyes brightened.
‘Will you get Nelly?’
‘Yes, then a story and we’ll both try and sleep a bit more.’
In Meredith’s room the air was damp. As Verity collected the velvet rabbit she wondered if she was grown up enough to deal with what was happening. She thought about telling her grandmother and knew she wouldn’t. She wouldn’t go back on her word. But thinking about Meredith’s bruised eyes, her determination to help a ghost neither of them could prove existed, she wasn’t sure how long she could keep her promise.

Snow Sisters Cover final front only LARGE - Copy (4) - Copy

* Philip Pullman

Notions of story, hiraeth & heart’s home

07 Sunday May 2017

Posted by Carol Lovekin in Uncategorized

≈ 13 Comments

Tags

Blodeuwedd, Dylan Thomas, Extract, Ghostbird, Mythology, Snow Sisters

Island Life, Word Birds & Process

My definition of my nationality, if anyone asks, is ‘Irish blood, Welsh heart.’ Like most British people I’m a hybrid, made from two kinds of Celt & a bit of Warwickshire. My mother was from Northern Ireland, a nurse, singer & classically trained pianist; my father was half-Southern Irish with a streak of English & an ability to play the blues piano by ear. I grew up with love, boundaries, music & stories. Many of the latter were read to me by my mum, some of them I imagined. (I made up stories for my sister & to this day, she still hasn’t forgiven me for failing to finish the saga of The Veiled Lady.)

Lots of the stories my daddy told me were from mythology. I loved them all & still do. Legends & folklore inform more contemporary fiction than we realise. I borrowed Blodeuwedd’s story from the Mabinogion for Ghostbird. I’m conjuring my version of the selkie legend for my third book & for my fourth, writing one based on my favourite folktale, The Red Shoes.

Snow Sisters, my second novel, due out in September, is the only one of my books without an obvious myth running through it. What it does have is a strong link to a different kind of Welsh mythos. (This isn’t even the right word; it’s the best I can come up with.) I’ve lived in Wales long enough to understand the notion of hiraeth: the ineffable longing for home, almost impossible to translate or put into words. It’s a feeling more than a descriptor, an occasional sense of grief; a disconnect surrounding your heart like a whispered poem evoking the emotion of separation, or perhaps the absence of presence. At its most emotive & fundamental, hiraeth is a longing for the unattainable, possibly existing only in one’s imagination.

In Snow Sisters, in lieu of a myth, I invoke my interpretation of hiraeth as experienced by Verity & Meredith Price, two young girls uprooted by their mother & transported to London, but whose sense of themselves is irrevocably connected to their hearts’ home in Wales.

Curled into her sister’s warmth, Meredith dreamed of the blue garden, the moths and the world beyond the veil, and that she was finally taken by the Fae. In her place they left a well-behaved changeling child for her mother to take to London.
When she woke, she pinched her arm and knew her wish hadn’t worked.

The Welsh own hiraeth as part of their identity – like a blood tie or an inherited name. Like dragons, Tom Jones’ green grass of home or a Dylan Thomas poem. And laced with pathos though it is, hiraeth can be droll & joyful too.

‘If there’s a word for it,’ wrote the poet, Jo Bell, ‘it sounds like laughter.’

I like that. The idea that come what may & however far from heart’s home we travel; we sense a link like a note of laughter, even if we have a tear in our eye & a lump in our throat.

I’ll leave the last words to Dylan Thomas…

‘Time held me green and dying
Though I sang in my chains like the sea
.

~ Fern Hill

Dylan-Thomas-2-426x279

Directions & snippets

23 Sunday Apr 2017

Posted by Carol Lovekin in Uncategorized

≈ 7 Comments

Tags

Beach, Editing, Extract, Snow Sisters

Island Life, Word Birds & Process

In the aftermath of Epic Editing, a few days in a state of limbo seemed like a plan. With nothing urgent to crack on with I allowed myself to land, consider the accumulated muddle in my flat, admire the dust; look for a new set of directions.

I have a date with the Llandeilo Literary Festival next weekend & have been gathering the threads for my role as moderator on one of the panels. Otherwise – writing wise – apart from on-going note taking for books 3 & 4, I was at a bit of a loose end. Yesterday I decided to take myself off to a beach – by myself – to potter & ponder, trail along the sand, clamber over rocks like an elderly Brontë* on a day out to the seaside. (I don’t like jeans, preferring frocks; it’s amazing what you can get done in a skirt & sneakers…)

I drove north, to the seaside town of Aberaeron & the beach on the southern side of the harbour.

IMG-20170422-01178

It’s less populated than the one to the north & like the beach in Snow Sisters, hardly anyone goes there.

Snapping the book shut and shoving it in her pocket, she was about to go down to the stile and onto the beach when she spotted a figure, close to the cliff near the stone dragon. No one came to this end of the beach. It was a dead end and didn’t lead anywhere.
   The tide surged across the sand, closing in; leaving only a narrow strip of shingle to walk on. Ducking low, Verity scrambled down to the stile, peeked over the ledge and saw him. Tall and dark-haired, wearing a jacket with the collar turned up, his hands thrust into deep pockets.
   A tall man in a dark coat…

This location is based on another beach I know well, also situated at the southern end of a long strand made of sand & pebbles intersected by a harbour. To the west, across the bay, lies Ireland & my ancestors.

A boat appeared on the horizon, a flash of a distant sail.
   Meredith shaded her eyes. ‘Where does the sea end?’  
   ‘Ireland.’
   ‘Imagine if you were in a boat and you went on forever, not getting anywhere. Just rowed and rowed in your little boat.’
   Verity shivered. ‘Or swam.’

Quite. Much as I love to swim, I can’t imagine swimming to Ireland…

As an Air sign, the direction I most identify with is east. It’s the place of beginnings, where ideas are conjured & possibilities emerge. That’ll be the copy-edits proper then, the proofing & so forth. And a new cover. A new book!

I don’t do even numbers, so here’s a third snippet.

It’s the opening line…

My name is Angharad and I am not mad.

5cdde93def62060184d3a2e945ed0d2a

*No comparison to any Brontë sister is implied.

Writing & reading the magic

26 Sunday Mar 2017

Posted by Carol Lovekin in Uncategorized

≈ 4 Comments

Tags

Extract, Ghostbird, Writing

Island Life, Word Birds & Process

Received wisdom has it we ought to write about what we know. Perhaps. Then again, I know a lot about shoes & cake but other than the odd aside, have no desire to write stories about either of these things.

I think it’s less about writing what we know & more about writing the kind of stories we want to read. The books I’m drawn to are the ones in which enchantment glances off the shoulder of reality; where authentic moments of wonder can make me believe in the possibility of magic. I’m not talking about the kind that comes wearing a pointy hat or casting a spell. Real magic isn’t only in the Mystery, it’s in the everyday, in the small things we often miss because we’re too busy to notice. It’s in relationships & families, in joy, sadness & silence. Magic keeps secrets, it’s old & wise & if we want it we have to listen for it. If we need it, it will hear us.

Towards the end of Ghostbird, my central character, Cadi Hopkins, listens hard. She has little choice. Unless she trusts, the past can’t be forgiven or healed. She’s young & inexperienced but she’s brave & the granddaughter of a witchwoman.

When a girl of fourteen has longed for something for most of her life, when the sense of it clings like dust to the edge of every waking thought, it’s possible old magic will hear her.

Who knows what’s real? I only ever ask my reader to believe in the possibility that a suspension of her disbelief might be worth the gamble. And when I pick up a book in which the author suggests magic might be afoot, I approach it in the same way.

Toni Morrison said it most elegantly.

tm

Happy reading, wherever the magic takes you.

My novels

Wild Spinning Girls
Wild Spinning Girls
Snow Sisters
Snow Sisters
Ghostbird
Ghostbird
Only May
Only May
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