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Making it up as I go along

Making it up as I go along

Tag Archives: Wild Spinning Girls

It’s the taking part

11 Sunday Jul 2021

Posted by Carol Lovekin in Uncategorized

≈ 4 Comments

Tags

Honno, Shortlist, WBOTY21, Wild Spinning Girls, Writing

Last year, when Jill Doyle invited me to contribute to her Five on Friday, in answer to the question, ‘Tell us 5 things you’d like to do or achieve’, I said, ‘Win a book prize. An unlikely dream, but dreaming is part and parcel of being a writer.’ My tongue was very much in my cheek. The dreaming was what mattered; I carried on, dreaming & being a writer.

And then this happened. My third book, Wild Spinning Girls, has been shortlisted for the Literature Wales Book of the Year/ Rhys Davies Fiction Award.

I didn’t cry or squeal or do much of anything to be honest. I simply stared at the email, read it again, in case I’d missed the bit about it not meaning me & it was just information. It did mean me though – me & my book & my publisher, Honno. Me & eleven other authors in four categories. (We were all sworn to secrecy for what felt like thirty-nine years, until the announcement on the radio.) And then it sank in: the fact that Literature Wales had chosen my book as one of the twelve.

Once I knew I was shortlisted alongside another Honno author, Judith Barrow, it became a double reason for celebration. We are both women of a certain age who are friends. We have been nurtured by our amazing publisher & we are as happy for them as we are for one another.

Honno deserve this. They are the UK’s longest standing independent feminist press. They do amazing things, for their writers penning contemporary literature in a variety of genres; for the lost women’s voices from the past. And for their readers who look for quality books published to the highest standard.


When I was first published, that was the dream come true. I was so much older than most people who secure their first publishing deal & I thought it was enough. Box ticked, job done. Two more books later, to be shortlisted for this prestigious award is another layer of validation. It says, I’m good enough. It means I can, hopefully, finally shoo Imposter Syndrome out of the door & write more stories that count.

Or, perhaps not. Writing is a random business – writers are hostages to all kinds of fortune & there is something to be said for the maxim, we are only as good as our last book. In the moment, we take the brickbats (Oh look, dear reader, a 1* review!) & the bouquets (5*****s!) We write & write some more & hope to be published again.

And sometimes, we get shortlisted for an award.  

This is my first time; it’s the most exciting thing that’s happened to me in my five years as a published writer. But ultimately, it’s the recognition that counts – for me, for my sister author & above all, for our wonderful publisher.

As a girl, I quite enjoyed sport. I played hockey, I ran quite well & liked that. But I was never brilliant & I never won anything. My daddy said, don’t worry – it isn’t about winning or being the best; it’s about enjoying yourself & being part of something. My daddy was right – it really is the taking part that counts.

My lockdown novel

10 Thursday Jun 2021

Posted by Carol Lovekin in Uncategorized

≈ 1 Comment

Tags

Book 4, Editing, Lockdown Novel, Only May, Wild Spinning Girls, Word Birds, Writing

Exactly two months since I scribbled anything here. Largely because I haven’t had much to say. I’ve been busy though – scattering words onto the page for a fifth book & for the past month or so, editing my fourth, Only May, which is penciled in for publication next year.

Only May began life about two years ago, several months before the pandemic hit. I’ve mentioned before, the genesis of this story: how I was driving home from the dentist, dazzled by the glory that is the May blossom. It seemed to have a tinge of pink & felt magical to me. I imagined a girl, born on the first day of May & named for the blossom; wondered, for no reason I can now recall, what if she could tell when people lied to her? If, when they looked her directly in the eye & lied, she knew. And that was the small beginning.


As I was still editing my third novel, Wild Spinning Girls, progress was sporadic. I’m an inveterate note compiler however & write my stories erratically anyway, so I was getting something down. It wasn’t until after the launch of WSG just weeks before the first lockdown, that I settled in to write the book proper. It’s been a fabulous process. With no distractions, I listened for the word birds, cracked on & wrote it.

Image: Gareth Lucas

That said, it still took me almost eighteen months before I felt the manuscript was good enough to submit. I know writers who can create a book in a few months. This both impresses & amazes me. I am not one of them! I’m a plodder. And I don’t put in impressively long hours either; not on a regular basis. (When I’m editing mind, I nail myself to the PC & only emerge from my study to eat & sleep, but that’s another story.) I do show up pretty much every day though & for me, that is the secret. Show up & write. Even through a pandemic. Particularly through a pandemic? My work has kept me sane, kept me connected to what brings me joy. And I love this new story more than I can say.

Only May is a slight departure from my previous books – it’s more intimate, on a smaller scale & written mostly in first person present.

Image: Toma Joksaite

It’s my lockdown novel. And it has bees. Watch this space!

   “I’m the girl who sees beyond the glint in your eye, around your over-confidence and through to the truth and I can hear the earth hum, the way the bees do. Ever since I was a tiny baby and they started talking to me, it’s seemed rude not to take notice.
   Bees don’t lie.”

Naming things makes them real

01 Sunday Mar 2020

Posted by Carol Lovekin in Uncategorized

≈ 8 Comments

Tags

Mentor, New story, Social Media, Wild Spinning Girls, Writing

It’s an old witchy saying although it could just as easily apply to writers. Days were when we guarded our stories like a dragon guards its gold. Now, in a world where we blog our little hearts out, we give a lot more away.

I know I do. A few years ago I would no more share a story I was currently planning than I would my toothbrush. And yet, since I began blogging here – about five years give or take – I’ve shared more & more of not only the process of my writing but the content. It’s something to do with new notions of networking I think. Social media sharing has become massive.

These past two weeks I’ve felt very exposed, albeit in a joyful, just been published again way. The blog tour for Wild Spinning Girls has been a triumph, the reviews gratifying & in some cases mindblowing. And I was featured in the local paper too!

It’s all been about me & my book, which is wonderful & hopefully, the exposure will translate into sales & more reviews.

It’s another ‘famous for fifteen minutes’ thing though, isn’t it? A writer is only as good as her next book? And I’ve been banging on about my fourth, back & forth & undecided, until I’ve made my own head spin. A few weeks ago I was categorical. My next book would be the one about the river. The one I’ve been writing since 2012, on & off. I went back to it while I was in the countdown to WSG coming out, pottering & revising, revising, revising… And then I felt it, like a blow: the loss of what the Welsh call hwyl – a sense of motivational energy that stirs the soul. My soul, was drained because something else was stirring.

Back in January, talking about the River book, I wrote, ‘…why would I abandon over 80k anyway? You only do that if the story has no legs.’ 

I fear not only have the legs fallen off, so have the wheels. During two conversations with two different people, each of them beautifully & coherently said things that perfectly ‘named’ where I find myself. The first was said by a writer friend who has known this oscillating story from its inception. She said, ‘[this book] is the ghost of the writer you were … she flits in and out between books, tempting and taunting you to take a step back into that time when it was all still ahead of you.’

These words fed seamlessly into the ones uttered by my mentor when we caught up recently & I tried to explain my ‘dilemma’ to her. What do I write next? Stick with ‘River’ or write the one that’s now nagging rather than whispering. In what was almost an echo of my friend, she said, ‘River is the story your other books bounce off.’ And went on to reassure me that nothing is wasted, that putting away the old in order to make room for the new – not least when the hwyl for it is very definitely there – is as much about author instinct as anything else.

There we are then. In July last year, I wrote this: ‘… there’s another one. A new story that excites me so much I can’t stop thinking about it.’ It does so yes, I’m going to write that one. #Book4.

And say very little about it until it feels real… Go underground for a while & trust the muse.

Standing in the light

02 Sunday Feb 2020

Posted by Carol Lovekin in Uncategorized

≈ 6 Comments

Tags

Imbolc, Wild Spinning Girls, Writing

It’s been twenty years today since my mother died. At Imbolc – the time of renewal.

Then it felt like heartless timing, but the years soften the sadness & two decades on, with two books published & the third about to be born, I wonder what she would have thought. I suspect she would have been proud of me. My lovely mum was proud of everything I did.

At the time of her death, I was middle-aged, still working full time & with only the vaguest notion of writing to be published. It was to be a few more years before I took that notion to the next level & began taking my writing seriously. And several more before my publishing dream came true. Even so, I look back at that woman, with her insecurities well-honed, sensing it was a good thing it took so long.

I didn’t know it then, but the mentoring & wisdom that was to come my way would prove vital. It shaped me as a writer & turned me into an author.

On my birthday, a few days ago, a small parcel arrived from my lovely editor/publisher at Honno & in it, two copies of Wild Spinning Girls. I confess to a lump in my throat. It never stops being the best thing – holding your finished book in your hand for the first time. And yes, I both stroked & sniffed it…

Wild Spinning Girls is a novel about mothers & daughters. About two young, very different women with one thing in common: their brilliant, lost mothers adored them.

Today then – remembering my lovely mum – I stand in the light, celebrate the turning of the Wheel & share a moment with her.

Wild Spinning Girls is available for pre-order: http://tinyurl.com/vlg9ec7

In which I am proofed by a pro

10 Sunday Nov 2019

Posted by Carol Lovekin in Uncategorized

≈ 8 Comments

Tags

Editing, Editor, Proofreading, Wild Spinning Girls

The other day, regaling a non-writing friend about my editing process, she commented that it seemed as if most of the work was done after the book was written. She has a point. And most writers would agree: if the road to a publishing deal is long, the one we have to negotiate in order to create a finished book can seem endless.

For me however, it’s never a chore. I embrace every aspect of the procedure & always have. It may be my inner researcher – I’m curious by nature – when writing a book I need to know how everything works. Not just the story as it unfolds through various incarnations & drafts; I’m fascinated by the editorial side too.

The final version of the copyedited manuscript of Wild Spinning Girls with notes from the proofreader arrived a week after my cataract operation. Generous editor offered to clear up the ‘bits’ for me but as I explained, my sight was pretty good & thank you, kindly, only I want to do it all myself.

In the end, there wasn’t that much to do, although any part of the process is always an exercise in careful observation. (Oh, look, another sneaky strikethrough no one spotted. *Polishes halo*) There were issues though – which is why we need proofreaders.

And thereby hangs my tale. With regard to copyeditors & proofreaders, most of us don’t know who we’re going to get. The published authors amongst you will have heard about them: copyeditors on a mission to willfully misunderstand your story, proofreaders who take every single semicolon you’ve ever conjured & turn them into commas. And don’t get me started on the fiends who were clearly born with a genetic resistance to the Oxford Comma.

I’m a lover of semicolons & yes, I overdo them. I also fail, repeatedly, to hyphenate that which requires hyphenating. I know I’m going to get a pasting, frankly, & wonder what the latest proofreader has up her sleeve.

I am here to tell you: Not All Proofreaders!

Did I get lucky or did I get lucky? Yes – semicolons have been thoroughly disarmed & replaced by nicely behaved commas. Quite right too – fair play. I have been allowed to hang on to the ones that matter & even been given a couple! Some nicely place colons too – who knew? It’s a joyous thing to have your words & authorial style respected. To have the corrections made with professionalism & an obvious eye to relevant detail. Even the single thing I disagreed about: a ‘voice’ quirk I insist on keeping – was critiqued with respect to ‘the author’s style.’

There are so many stages to creating a book: drafts & edits when you think, this is a load of rubbish, what the hell am I doing? Even when you accept you may be on to something, there’s a fine line between liking your story & loving it. And finally, there’s the last line to be crossed: the falling in love with it one. Now it’s done, thanks to the dedication of a fine editor, followed by the professionalism & respect of a proofreader I’ll probably never meet, I am finally in love with Wild Spinning Girls.

Four years ago I had only the vaguest idea what a copyedit was or why proofreaders were so essential. With only a few months to go until publication date – 20 February 2020 – I have no idea how this third book will be received or if I’ve pulled it off again. And that is also part of the process.

Fingers crossed, dear reader…

Learning curves

22 Sunday Sep 2019

Posted by Carol Lovekin in Uncategorized

≈ 8 Comments

Tags

Cover Reveal, Editing, Titles, Wild Spinning Girls, Writing

My initial idea for this post could be summed up in the cliché: If I’d known then what I know now. My list of pre-conceived notions about How Publishing Works is as long as the proverbial piece of string.

In the early, heady days of securing a book deal, I thought I knew a lot of things. How editing would be a matter of having my story checked over for grammatical errors & perhaps shifting the odd scene or one. Even when I understood the purpose of a copy editor, I still had some vague notion it also had to do with ‘checking things’ – in some random, nothing-to-do-with-me sort of way.

Lol, as they say…

Working on my first book was an enormous learning curve & soon disabused me of many notions. In spite of the terror, I began to enjoy the editing process. At heart, I’m a reviser & have never found it a chore to listen to my inner critic. And formal editing has taught me to respect & be in awe of the professional editorial side of creating a book.

Another preconceived notion of mine was, you get the cover you want & nobody will question the title of your book. I am here to tell you, this is only partly true. As someone published by an almost unique press that meets its authors more than halfway, I’ve been inordinately lucky with my titles & covers. There have been a few changes & tweaks but I love all of them. I know there are authors still weeping because they hated the covers imposed on them. I can’t imagine how that must feel & it took me a long time to learn that in Big Press World, it is industry practice. Small presses rock, in more ways than one!

For years I was a cover/title snob. All those books with ‘Girl’ in the title & all those girls, wandering off, away from the camera. I swore I would never, ever become part of that particular club. I was yet to grasp the fact that it’s what happens in the bookshops that counts. It’s shelf appeal, dear reader, pure & simple. (And there are copyright reasons why so many girls & women on covers have their faces concealed. Apparently it can cost more if the model’s face is visible.) Add the fact that readers prefer to make up their own minds about how characters look & it all falls into place.

Back in April last year, I wrote this:

Like it or loathe it, Girl in the title of a contemporary novel, however ubiquitous, appears to sell books. As a woman who writes largely about women (albeit about girls as well), I have long eschewed reaching for the Girl word. And yet I find myself unexpectedly in love with a title I conjured several months ago for this story.

(You can read the entire post here.)

‘This story’ is my third book, Wild Spinning Girls. I’ve broken both the rules it seems, & gone plural, but for all the right reasons. The details are in that previous blog post. Suffice it to say, telling the story of Ida & Heather; discovering the title within the finished narrative, convinced me Girl is good. Girls is even better.

Here then is my new book with its lush cover. With its pretty title.

Showing up: let me count the ways…

15 Sunday Sep 2019

Posted by Carol Lovekin in Uncategorized

≈ 2 Comments

Tags

Ghostbird, Honno, Sisterhood, Wild Spinning Girls, Writers, Writing, Writing community

Being here for starters. It’s been a month since I wrote a word. Not because I have nothing to say, more that I have too much. As I count down the months until my third novel, Wild Spinning Girls is published, I could write reams about how exciting the process is. But the authors amongst you know – while we wait, we write.

Most days then, I clock on for Book 4. (And, for a brief time, I showed up for the fifth one too. Until I ordered myself to get back to doing what I do best: one thing at a time.)  

Showing up are the two words that make up my daily writing mantra. Unless we put in the graft at the typeface, the road to publication is likely to be strewn with rocks. (Full disclosure: makes no difference – it will be littered with them. Boulders, bedrock & concrete slabs the size of dragons; Very Big Brick Walls & even bits of the earth’s crust.)

So you may as well show up. This is my current, favourite ‘Showing Up’ image. Words birds obviously, a nice frock & a beak.)

Image: Sarah Young

Like many writers, published & unpublished, I put in my ‘Time Before’ – years when the rejections piled up & I convinced myself I was comforted by the generic phrase: ‘You write well/interestingly/can’t quite place you on our list/we’ve just signed something similar.’ Or words to that effect. They’re all code for ‘No.’

It’s over seven years since I first pitched my debut, Ghostbird, to the woman who was to become my mentor. Back then, Janet Thomas was still an editor at Honno, the Welsh Women’s Press. She was the first in a galaxy of women destined to show up & have a huge impact on my life.

Initially, it was the Honno Sisterhood who embraced me & made me feel part of the best gang ever. Post-publication, many of them have become dear friends.

Some of the Honno sisterhood: from L round the table, my editor/publisher Caroline Oakley, Juliet Greenwood, me, Judith Barrow, Alison Leyland, Janet Thomas, Thorne Moore, Hilary Shepherd & Jan Newton

And then, in real life & virtually, out in the wider world a myriad brilliant, fabulous authors & bloggers have shown up. The kindest, most supportive human beings it’s my privilege to know. As I look forward to being published again, I count my blessings.

If I counted them – the kind, generous fabulous lovelies – I’d be here all day.

 

The art of juggling

18 Sunday Aug 2019

Posted by Carol Lovekin in Uncategorized

≈ 9 Comments

Tags

Ghostbird, Juggling, New story, Snow Sisters, Wild Spinning Girls

I’m writing this very much for myself. Trying to work something out. You are welcome to come along…

Years ago, when people asked me why I wrote, my flippant answer was, ‘Because I can’t play the piano. Or juggle.’ It was a bit true though. Since the scribbling gave me so much pleasure why would I persist with the piano? Or the juggling? More than one ball frankly & I’m pathetic.

In all the years I’ve been writing – pre- & post-publication – I’ve never tackled more than one story at a time either. My inclination has always been to focus on a single project – work on it until it’s my best endeavour. (Unless it’s no endeavour at all, in which case – kill it.)

Before Ghostbird – my first book – came out, I had an idea for two more stories. One, I quickly realised, wasn’t meant to be written & I dumped it. The other story (Working title: Underwater the Stars Shine Brighter) was more persistent & before long I was deep into it.

Enter the idea for Snow Sisters – out of left-field & itching to be written. In the end, it nagged & won the argument. Consumed, I set aside UTSSB.

I could have tried to write both. It’s a well-known fact: writers do this all the time. They say they like something else to turn to when the current WIP sags or they need ‘a break’ from it. This has never happened to me. It’s one at a time & sorry, new story, you will have to wait your turn because, ‘too many balls, okay?

With Snow Sisters published, I turned my eye to dear UTSSB. It was the least I could do. And damn if it didn’t happen again. (Hello, book about dancing & with a ghost* – of course I’ll write you!)

Having completed Wild Spinning Girls* – lined up for publication in February 2020 – I have returned to UTSSB yet again albeit with renewed enthusiasm. In fact, I’ve rewritten loads of it & it’s now a contender.

If you’re still with me, dear reader, you can probably guess what’s coming…

Yet another one – out of whatever field stories grow in.

Only this time, it’s different. I’m actually writing them both at the same time. I say ‘writing’ – I’m working hard to refine & finish UTSSB because I like it & I want to & it’s been so very patient. But I also have 7,000 words of the new one down & I want to write that as well.

Am I finally learning to juggle?

Asking for a me…

Where to now?

28 Sunday Jul 2019

Posted by Carol Lovekin in Uncategorized

≈ 2 Comments

Tags

Book 4, Ghostbird, New story, Spider, Wild Spinning Girls, Word Birds, Writing

With Wild Spinning Girls waiting her turn with the woman who makes me a better writer, my thoughts turn to what comes next. My current Book 4 has had an erratic passage. It was first usurped between Ghostbird & Snow Sisters then again by WSG, getting periodically abandoned like an unwanted rag-doll in the process.

I’ve always believed some books aren’t meant to be written. As writers we have to learn this & know when to let go. In the past I’ve had no qualms about discarding stories & stuffing them in a dark drawer, or worse, killing them off completely.

This one though – the one I call RiverBook – simply will not be silenced. Regardless of several long interludes, it’s survived. At one point I was a hair’s breadth from dumping it. The main protagonist – a woman I think I may be slight scared of – was having none of it. She knew what was wrong with ‘the story so far’, but better still, what was right with it. She knew what was missing & what needed chucking.

A while back I did a big rewrite & decided yes, this is the one. I have 75,000 words which is almost a complete manuscript. Be rude not to finish it, frankly. No problem then…

You think?

One of the reasons for writing this down is so I can’t easily back-track & abandon the book yet again. And the reason I could be tempted is because there’s another one. A new story that excites me so much I can’t stop thinking about it. An altogether new way of writing, an almost entirely character driven story with virtually no plot, written in first person present…



I know… mad or what?

The plan – for plan I must have – is to potter until the New Moon on Thursday. See which of the word birds offers up the best pitch… They clearly love RiverBook & have stuck with it like a precious egg baby in a nest.

But they have a rival.

Yesterday, out & about, there was a wee spider in my hair. A friend spotted it & grinned when I said to leave it be; it was probably writing stuff. About her… the new one…

Onward & sideways…

Wild Spinning Girls… an extract…

21 Sunday Jul 2019

Posted by Carol Lovekin in Uncategorized

≈ 9 Comments

Tags

Book 3, Extract, Wild Spinning Girls

The woman who makes me a better writer did her work & now I’ve done mine. At least I hope so. They say a book is never completely finished & I concur. At this stage, pre-copy-edit & proofreading, there’s still space for ‘intervention’ of some kind or another.

Wild Spinning Girls will be published in February 2020. In the meantime dear reader, as you have have been so kind – shown such keen interest in this third book – I’m offering up an extract. It passed muster without comment in the dreaded tracked changes & sets the scene rather nicely.

Enjoy.

~~~~~~~~~~~~~~~~~~~~

Five

Smoke-coloured sky stretched for miles.
   Midafternoon and still at least a hundred miles to go. Instead of stopping at one of the numerous motorway service stations, Ida turned onto a slip road, pulled into a lay-by next to a stone bridge, snacked on bananas, nuts and a chicken wrap she’d picked up in a supermarket before leaving. (Years of not eating, in order to stay thin, meant she’d had to learn not to be afraid of food. She was still working at it.)
   As she listened to a trickling stream beneath her, Ida tried to work out if it came from Wales or, like her, was trying to find its way back. 
   On the motorway once again, crossing a different bridge, she saw how this one rose in a majestic ripple of slender metal lines. Its elegance was lost on her. Ida saw only bars and their towering vastness stunned her.
   Croeso i Gymru.
   Welcome to Wales.
   She may as well have been driving into Patagonia.
   Fumbling in her purse for the toll fee, the sense of separation was complete.
   ‘Sorry, I don’t have the right money.’
   The man in the booth reached down to hand her the change. ‘No worries, bach. There you go. Safe journey.’
   After a couple of hours the motorway narrowed to dual carriageways and lanes. Towns gave way to villages and eventually to scattered countryside beneath careless skies. As she drove closer to her destination, Ida returned to the mental list she’d been compiling since she’d set off; things she’d need to do once she reached Ty’r Cwmwl.
   She tried the Welsh name again out loud, tripping over the lack of vowels.
   ‘Bloody silly language.’
   Cloud House it would have to be. And top of the list would be cleaning. The house was bound to be dusty and neglected. As for the contents, she couldn’t imagine wanting to keep anything. The furniture would be older than she was. Possibly older than her father. Ida frowned, but her dismantled memories revealed nothing. She would get essential repairs attended to and sell the house as seen.
   Pulling onto the side of the road again to check the map on her new phone, Ida squinted at the screen, zooming in. The house still appeared like a dot in the middle of nowhere, a mile from the closest village and another twenty from the nearest town.
   There was a text from Liz. Are you there yet? x
   Ida shaded her eyes, watched as lines of edgeless curving land merged into an illusive vanishing point. For a fanciful moment she could believe that reality and myth had become interlaced. Flicking off the phone, she looked up again, for a connection, a moment of recollection.
   I’m a bit Welsh…
   It didn’t come and a sense of unease enfolded her. What memories she did have were her mother’s cast-offs.
   Horrid place … I hated it.
   Finally, her uncertain memory led her, more by luck than good judgement, to the right road. Too narrow and insignificant to warrant a number, it uncurled through the imprecise light, finally arriving at an open gate flanked by broken, intermittent dry-stone walls.
   A solid metal sign bolted into a stone upright bore the legend: Ty’r Cwmwl.
   Twenty-nine years ago, she had been born here. For five years it had been her home. The last time she’d driven down this track she had been barely big enough to see through the back window of her father’s car as it jolted away from the house.
   Ida had a vague memory of her mother tucking her into her arm, as if she hadn’t wanted her daughter to see what they were leaving behind, and make a memory. 
   She needn’t have worried.
   Gazing around her now, Ida recalled very little of either the house or her surroundings. Other than the sky, wide and endless and, regardless of the season, always with an edge of winter, nothing was familiar. The marbled, changing glare of it reached for miles. 
    And in each direction, falling away in a palette of washed-out colour, a landscape out of legend.
   There were no landmarks, only barren moorland and rocky outcrops. Skinny blackthorns with witch finger branches fought the prevailing wind making it hard to believe they could ever grow leaves. Ida blinked, searched her fragmented memories; anything to reassure herself being there was a good idea.

© Carol Lovekin

Sir Kyffin Williams


   

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