• Home
  • Blog
  • Only May
  • Wild Spinning Girls
  • Snow Sisters
  • Ghostbird
  • Contact

Making it up as I go along

Making it up as I go along

Tag Archives: Book 3

Wild Spinning Girls… an extract…

21 Sunday Jul 2019

Posted by Carol Lovekin in Uncategorized

≈ 9 Comments

Tags

Book 3, Extract, Wild Spinning Girls

The woman who makes me a better writer did her work & now I’ve done mine. At least I hope so. They say a book is never completely finished & I concur. At this stage, pre-copy-edit & proofreading, there’s still space for ‘intervention’ of some kind or another.

Wild Spinning Girls will be published in February 2020. In the meantime dear reader, as you have have been so kind – shown such keen interest in this third book – I’m offering up an extract. It passed muster without comment in the dreaded tracked changes & sets the scene rather nicely.

Enjoy.

~~~~~~~~~~~~~~~~~~~~

Five

Smoke-coloured sky stretched for miles.
   Midafternoon and still at least a hundred miles to go. Instead of stopping at one of the numerous motorway service stations, Ida turned onto a slip road, pulled into a lay-by next to a stone bridge, snacked on bananas, nuts and a chicken wrap she’d picked up in a supermarket before leaving. (Years of not eating, in order to stay thin, meant she’d had to learn not to be afraid of food. She was still working at it.)
   As she listened to a trickling stream beneath her, Ida tried to work out if it came from Wales or, like her, was trying to find its way back. 
   On the motorway once again, crossing a different bridge, she saw how this one rose in a majestic ripple of slender metal lines. Its elegance was lost on her. Ida saw only bars and their towering vastness stunned her.
   Croeso i Gymru.
   Welcome to Wales.
   She may as well have been driving into Patagonia.
   Fumbling in her purse for the toll fee, the sense of separation was complete.
   ‘Sorry, I don’t have the right money.’
   The man in the booth reached down to hand her the change. ‘No worries, bach. There you go. Safe journey.’
   After a couple of hours the motorway narrowed to dual carriageways and lanes. Towns gave way to villages and eventually to scattered countryside beneath careless skies. As she drove closer to her destination, Ida returned to the mental list she’d been compiling since she’d set off; things she’d need to do once she reached Ty’r Cwmwl.
   She tried the Welsh name again out loud, tripping over the lack of vowels.
   ‘Bloody silly language.’
   Cloud House it would have to be. And top of the list would be cleaning. The house was bound to be dusty and neglected. As for the contents, she couldn’t imagine wanting to keep anything. The furniture would be older than she was. Possibly older than her father. Ida frowned, but her dismantled memories revealed nothing. She would get essential repairs attended to and sell the house as seen.
   Pulling onto the side of the road again to check the map on her new phone, Ida squinted at the screen, zooming in. The house still appeared like a dot in the middle of nowhere, a mile from the closest village and another twenty from the nearest town.
   There was a text from Liz. Are you there yet? x
   Ida shaded her eyes, watched as lines of edgeless curving land merged into an illusive vanishing point. For a fanciful moment she could believe that reality and myth had become interlaced. Flicking off the phone, she looked up again, for a connection, a moment of recollection.
   I’m a bit Welsh…
   It didn’t come and a sense of unease enfolded her. What memories she did have were her mother’s cast-offs.
   Horrid place … I hated it.
   Finally, her uncertain memory led her, more by luck than good judgement, to the right road. Too narrow and insignificant to warrant a number, it uncurled through the imprecise light, finally arriving at an open gate flanked by broken, intermittent dry-stone walls.
   A solid metal sign bolted into a stone upright bore the legend: Ty’r Cwmwl.
   Twenty-nine years ago, she had been born here. For five years it had been her home. The last time she’d driven down this track she had been barely big enough to see through the back window of her father’s car as it jolted away from the house.
   Ida had a vague memory of her mother tucking her into her arm, as if she hadn’t wanted her daughter to see what they were leaving behind, and make a memory. 
   She needn’t have worried.
   Gazing around her now, Ida recalled very little of either the house or her surroundings. Other than the sky, wide and endless and, regardless of the season, always with an edge of winter, nothing was familiar. The marbled, changing glare of it reached for miles. 
    And in each direction, falling away in a palette of washed-out colour, a landscape out of legend.
   There were no landmarks, only barren moorland and rocky outcrops. Skinny blackthorns with witch finger branches fought the prevailing wind making it hard to believe they could ever grow leaves. Ida blinked, searched her fragmented memories; anything to reassure herself being there was a good idea.

© Carol Lovekin

Sir Kyffin Williams


   

Don’t tell anyone – I have another book deal…

03 Sunday Mar 2019

Posted by Carol Lovekin in Uncategorized

≈ 15 Comments

Tags

Authors, Book 3, Family, Friends, Wild Spinning Girls, Writing

It was the best Solstice gift ever – an email from my editor confirming acceptance of my third book, Wild Spinning Girls. Protocols & paperwork meant I couldn’t immediately go public. I was able to tell my nearest & dearest which mitigated the frustration a little.

In all honesty, I quite liked having a bookish secret. It’s different from a debut, when you want to Tell Everyone In The Entire Universe Immediately! You can relax a bit. And if you’re fortunate enough to be published by a tiny press, you learn to be patient. Mine – Honno, the Welsh Women’s Press – consistently produces classy books to an exceptionally high standard & takes infinite care with its authors’ words. The book won’t be published until some time next year & that’s okay too. All good things & so forth.

In any case, there’s a great deal to be said for space between books. I’m not sure how I’d fare in a world that required a book (or even two) a year from me. How do people even do that? Okay, some stories write themselves (Snow Sisters did); others are far harder & need nurturing. Wild Spinning Girls is done, but still not finished. There’s more finessing to do & I’m glad. I know I haven’t yet reached the stage where I’m ready to relinquish it, because I know there’s editor-driven magic still waiting to be conjured.

All of that notwithstanding mind – get me! Who knew, back in March 2016, when I first held a copy of Ghostbird, my debut novel, in my hand, I’d do it not once more but twice?

Wild Spinning Girls is another story set in Wales. It has many of the elements of the previous two books, not least an old house. This time, a very remote one… There’s a ghost too & a secret…

MY CLOUD HOUSE 2 - Copy

It will be down to my reader to decide if a level of familiarity is a good thing.

I’ll be revealing small hints over the next however long it takes; small clues & visual images. My favourite fairytale, The Red Shoes plays a part. If you examine it closely, TRS is both a fascinating & horrible story. Hans Christian Andersen hated his sister Karen so much, he gave the beleaguered heroine of his grisly tale her name. As a child however, training to be a ballet dancer & loving fairytales, it was inevitable this one would fascinate me.

BALLET SHOES 3 - Copy

And because I don’t do even numbers, here’s another hint.

CROWS GIRL

Island life is still a thing, never more so than during the past eight weeks. Breaking my leg was a thing too. A massive shout out to everyone who wished me well, not least in the writer/reader community. As for my tribe, the sisters who came to my aid, day after day, you have my gratitude for ever.

Showing up … with a new notebook.

26 Friday Oct 2018

Posted by Carol Lovekin in Uncategorized

≈ 7 Comments

Tags

Book 3, Book 4, Quotations, Virginia Woolf, Writing

“[I] am much struck by the rapid haphazard gallop at which it swings along, sometimes indeed jerking almost intolerably over the cobbles.” 

Virginia Woolf was talking about her diary. She could just as easily have been referring to her books. She often had a haphazard relationship with both. As do I. Although, unlike Mrs Woolf, I keep a sparse diary these days. More a daily, brief note frankly. My writing style is equally random. All over the shop to be honest – rarely linear but it works for me, so onward & sideways…

My third story is out on submission. It’s time to show up & write another. And so I bought myself a new notebook. Partly because I need one & also because the focus for #Book 4 has shifted hugely. It already exists in a complete first draft. The writing of it has happened over a period of several years. It’s been a thread, winding in & out of Ghostbird, Snow Sisters, a story about a fire-ruined house & #Book3. (Don’t ask – I’m terribly superstitious & until/if, too terrified to reveal the title.)

#Book 4 then kept getting eclipsed. I wondered at one point if it was one of those stories that wasn’t meant to be written at all. But I kept going back to it & to Grace, the central character. Grace is unlike anyone I’ve written before. She’s older for one thing. I’m very keen to write an older woman protagonist & I’ve been thinking about Grace a lot over the past week or so, wondering if I can finally write her & do her justice.

arthur-rackham Fair Helena

There will be a selkie too, although not in the way most people imagine. Mine bears very little resemblance to the ‘conventional’ selkie myth & she’s never been near the sea…

The distance between my original vision for this story & being ready to write it properly means it was inevitable that aspects would change. And so it’s proved. This is the best time of year for me to write. Darker evenings, lush morning mists, nights drawing in… So yes, bought myself a new notebook…

Resting… or not, as the case may be…

23 Sunday Sep 2018

Posted by Carol Lovekin in Uncategorized

≈ 4 Comments

Tags

Ballet, Book 3, Editing, Editor

Island Life, Word Birds & Process

Dear reader, how nice!
It’s been a while, but there’s a clue in the subtitle: ‘process…’  For a while, as I waited, there was none – not so’s you notice. Waiting is waiting & must be braved. The joy is in the outcome: a measure of progress within the process, so to speak.

Having untangled the minutiae of the structural edit, I dived in again. That’s the beauty of smart, intelligent, instinctual editing – it makes you want to do better. And as it turns out, I’ve been aided & abetted by an injury to the plantar ligament in my foot. (If you know it, you know it… There aren’t enough versions of ‘ouch’… And no need to commiserate. Cake will be fine…) The only treatment is rest.

Rest & write then. My brain, a thing of furious, focused energy, unpicking my story & stitching it together again; my body inert & aching from inactivity. The ridiculous irony is, in this rearranged version of my story (starting in the right place this time), I’m writing about a ballet dancer who injures her foot…

c7f9b84b40e4eb05298317833f46ebfc

Go figure…

Into the stream…

02 Sunday Sep 2018

Posted by Carol Lovekin in Uncategorized

≈ 1 Comment

Tags

Book 3, Editing, Quotations, Virginia Woolf

I may not be blogging much for a while.

Structural edits are in. The End as I know it becomes redundant. One thing’s clear – I don’t always begin at the beginning either. Not the right beginning at any rate. Or end the way I’m meant to.

I’m off then, to wander – less aimlessly I can only hope. Re-assemble this story & say what I meant to, at the beginning, when I first had the idea.

Writers do a great deal of wandering off. What Virginia Woolf described as, ‘the line of thought [dipped] deep into the stream.’ The perfect metaphor for editing.

447061ca7f5f8740ed97da59a7f35db7

See you, dear reader… I have to sharpen my pencils & grab my galoshes.

Letting go of the lovely…

10 Sunday Jun 2018

Posted by Carol Lovekin in Uncategorized

≈ 8 Comments

Tags

Book 3, Editing, Editor, Janey, Writing Group

Island Life, Word Birds & Process

It’s highly likely I’ve used the above heading before. (And I’ve definitely written about editing.) No matter – my blog my repetition. Apposite in any case. Editing involves digging out the repetition. And much more besides. I’m on the 84,670,943rd pass & the excess keeps on keeping on… Were it not for chocolate & wine I might well have gone quite mad.

My writing co-conspirator has her head down too. (For those of you who don’t know, Janey & I are are the sole members of the smallest writing group in Wales.) Since her hip op we’ve had to meet less often but we never stop comparing notes. (I think she’s on draft 62,897,504…)

I’m doing my best to stay serene. On the surface at least – drifting like a lily on a lake, looking as if I know exactly what I’m doing. Under the water, trust me, I’m kicking the mud.

ae227fc50ba10817f04721cc7affe50d

My bête noire is a tendency to ramble. To embellish my stories with far too much exposition & description. My mentor & first editor calls it ‘the lovely’ & has, from the beginning of our collaboration, bid me be rid. She may no longer be my editor, believe me dear reader, as I edit Book 3 it’s like she’s in the room… Which is a good thing.

An old Facebook post from a very famous writer – who I’m not going to name in the interests of playing nicely – recently emerged. In it, she declared she was no longer going to allow her manuscripts to be edited. Quote: “I felt that I could not bring to perfection what I saw unless I did it alone.”

Lovely…

The thing went viral & of course, everyone has an opinion. Mine echoes what seems to be the popular view: Stop talking, famous writer! Shush now & be grateful! Being well & professionally edited is a privilege which we scorn at our peril. (And a best-selling author would surely have access to top-notch editorial advice.) There is a legion of writers out there who never get the opportunity.

And so forth. I’m off to unmuddy the waters. Please send chocolate.

Odd earrings

03 Sunday Jun 2018

Posted by Carol Lovekin in Uncategorized

≈ 7 Comments

Tags

Book 3, Earrings, Editing, Ghosts, Writing rituals

Island Life, Word Birds & Process

One of my writing rituals involves earrings. I have a designated pair. They’re not in fact a pair at all. They’re odd. One is a beautiful moonstone, the other, two chunks of amber. Both are set in silver & both lost their mates at some point in the past, the way earrings are inclined. Not least the ones we like best.  I loved both pairs very much so decided I may as well wear the not lost ones together. They’ve become talismans & when I’m particularly challenged (editing) they give me confidence.

Who knows if they have any power? Writers love ritual & I’ve spent a goodly part of my life indulging it, one way or another.

Numbers have power! The number of the moon is nine!! Merry meet for a lunar lark!!!

moonm

And so forth.

You get the gist: I’m not keen on even numbers. There’s something about their uniformity that grates. Too precise. I prefer the risky, more magical nature of a nine or a seven. And I like what the ghost in my new story has to say about them:

‘She preferred odd ones, she said they were feminine.’

This morning I finished the third pass. After some serious slashing, it comes in at 89,977 words & sixty-three chapters. The title is three words long.

So far, so far. (So far…)

‘What kind of language is this?’ *

20 Sunday May 2018

Posted by Carol Lovekin in Uncategorized

≈ 5 Comments

Tags

Birds, Book 3, Editing, Kate Bush, Music, Word Birds

Island Life, Word Birds & Process

My ability to ignore distractions is pretty good. So long as I’m at home writing, as opposed to hanging in a cafe or suchlike, I can concentrate reasonably well on my current work in chaos. The world at large is far too interesting & full of shiny. Paradoxically, silence is a complete no-no too – there’s no such thing when you live in even a small town & distractions abound. When I’m writing I need familiarity: a touch of Radio 4 in the background, music that fits my mood; add the view from Withering Heights & I’m good to go.

Background is the operative word. I don’t need to be able to distinguish particular words. My own are what count. So long as I’m where I belong, the lyrics to songs turn into a sweet humming & I can crack on happily.

What interests me though is how, when I’m editing, some words do get through. It’s only certain songs that can do this. I don’t have a play list – my choices are pretty random. Or are they? An album I return to over & again while editing (& writing) is Kate Bush’s Aerial. In particular, the second CD: A Sky of Honey. I know the words to every song almost by heart. If I could only take one album to that desert island, this would be it. And this week, as I began the first important pass on Book 3, I returned to these songs once more. In the background you understand, but as present as the real, word birds still edging their way into my consciousness. (They have shiny too & secrets.) More often than not they know far better than I how this editing process needs to go.

v brookland

Oh, editing… What fresh hell & all that. What gibbers (thank you dear Juliet Greenwood for this perfect expression of the editing writer’s almost constant state of mind.)  What terror as you approach The Bit You Know Will Need A Vast Amount Of Work Because You Kidded Yourself You’d Nailed It When Clearly You Have Done No Such Thing. That said I enjoy editing. For me, in the first instance at any rate, it’s the smell of printed paper, sharpened pencils & a different outlook. Literally – I hard-copy edit in my sitting-room rather than my study, sofa bound & cushioned & very familiar.

Five days ago, having rescued Book 3 from the Dark Drawer after a month of marinating, I began. And when I get fed up with Jenni Murray chatting earnestly about vaginas, when the state of Bob Flowerpot’s compost & Pippa Greenwood’s sweet peas lose their allure, when the news stops being news & sounds more like coffee adverts, I reach for Kate.

And even though I have the volume turned down, some of the words do get through. I pause & listen: What kind of language is this? / I can’t hear a word you’re saying… And yet somewhere I can. In some part of my edit-addled brain, the right words exist. If I try really hard, make sure I have enough tea & chocolate to sustain me through the gibbering, I’ll hear them. My best words are in there somewhere.

Better get on then – see if I can find them.

*Kate Bush

The Dark Drawer

15 Sunday Apr 2018

Posted by Carol Lovekin in Uncategorized

≈ 6 Comments

Tags

Book 3, First Draft

Island Life, Word Birds & Process

At the end of May last year, I ran a story idea past my mentor, Janet Thomas. (I blogged about it here.) I had 2,000 [random] words down. Ten months later, dear reader, I did it. I finished Book 3.

spinning

Checking my writing diary this morning, I saw that on 7 October, I was ‘back in the chair for Bk3.’ (The bit in between involved copy edits for Snow Sisters, getting the book ready for it’s September release & the blog tour.) I still managed days here & there, writing the beginnings of the story.

It feels longer than ten months. I’ve struggled with parts of this book & I’m by no means out of the wood. (Note to self: Order more bread crumbs.) Nonetheless, it’s done & I hope, like the ecclesiastical egg, it’s good at least in parts. Time to step back & leave well alone for a while.

In terms of a completed first draft, The Dark Drawer is often a metaphor. Not everyone prints off actual hard copy & stuffs it in a literal drawer. In my case, I do. It’s part of my process & when it comes to the first round of edits, I prefer paper, sharpened pencils & a box of tissues. (Weeping may be involved – I have to shift a minimum of 20 k to make this story viable.)

I’m not normally very good at not writing, but I’m fairly relaxed at the moment. No idea how long it will last; I have a couple of talks to polish (& a neglected house to be kind to.) For the rest, it’s thumb twiddling time I guess. I’m taking bets on how long I can resist opening The Dark Drawer.

Girl is a feminist issue

08 Sunday Apr 2018

Posted by Carol Lovekin in Uncategorized

≈ 17 Comments

Tags

Book 3, Girl, My feminism, Titles, Writing

Island Life, Word Birds & Process

This week I completed a draft of my third book. (Hoorah! Cake! Etc!) As I edit like a loony along the way, I don’t tend to number drafts. Technically, it’s the first complete one; realistically, it’s part tidy & part messy. My next trick is to print a hard copy which I’ll leave in a darkened drawer for as long as I can bear the suspense. In the meantime, I’m attending to the ‘throwaway’ words.

And pondering the title.

Like it or loathe it, Girl in the title of a contemporary novel, however ubiquitous, appears to sell books. As a woman who writes largely about women (albeit about girls as well), I have long eschewed reaching for the Girl word. And yet I find myself unexpectedly in love with a title I conjured several months ago for this story. It contains the word Girls – plural – & I like it. I allow it as it’s part metaphor & because it takes into account the fact that some women in some stories (as in life) will always be girls. (Two of mine certainly are. One is a girl of seventeen so points anyway.) More importantly, regardless of age, some women will always be intimately connected to their girl self.

Against all my previous feminist conviction, I’m now convinced Girl can work in certain kinds of grown-up fiction titles. And I’ve reached this conclusion after a great deal of thought. It’s exercised me in a way nothing has for a long time. And I think – for me at any rate – writing the story of Ida & Heather has sealed my certainty; I know why I’ve changed my mind.

It’s because both pain & a sense of wonder are never completely eliminated from most women’s lives. Girl in fiction is part of an important, ironically feminist, narrative. At a certain age (ambiguous in itself) women are expected to conform to a norm no one really understands. (Certainly not men.) And for those of us of a certain generation, not least our mothers (surviving the patriarchy by the skin of their collective teeth.) These excellent, brave, hopeful, frustrated women, insisting we were old enough to know better & yet too young to understand.

Go figure.

I deliberately made my Girl character seventeen. It’s my own go-to heart age. I may not recall eight or twenty-five in any detail, I remember being seventeen as if it were yesterday. It’s a magical age: girls on the cusp of womanhood, when they have more power than they have the wisdom to appreciate.

The woman, as Girl, is saying she isn’t prepared to let go. Girl allows her to reach back & touch the luminous moments. Girl keeps her safe & her dancing dreams alive.

Blue Shoes

It’s a wonder all by itself. So I’m risking it – it feels too right not to.

#GirlIsAFeministIssue

← Older posts

My novels

Wild Spinning Girls
Wild Spinning Girls
Snow Sisters
Snow Sisters
Ghostbird
Ghostbird
Only May
Only May
Follow Making it up as I go along on WordPress.com

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 166 other subscribers

© Carol Lovekin and Making It Up As I Go Along, 2018. Unauthorized use and/or duplication of this material without express and written permission from this site’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Carol Lovekin and Making It Up As I Go Along with appropriate and specific direction to the original content.

Archives

Blogroll

  • Facebook
  • Twitter

Facebook

Facebook

Tags

#NotTheBooker Authors Ballet Beach Birds Blodeuwedd Bloggers Blog Tour Book 3 Book 4 Book Fair Book Review Books Countdown Crow Drafts Dylan Thomas Editing Editor Edna O'Brien Extract Family Feminism First Lines Friends Genre Ghostbird Ghosts Ghost Story Glittering Prizes Guest Post Honno Interview Island Life IWD Janet Janey Judith Barrow Letter to America Llandeilo Lockdown Magic Mist Muse Mythology New story Not Writing Only May Photographs Process Public speaking Publishing Quotations Readers Reading Review Reviews RiverBook SisterBook Sky Snow Sisters Social Media Storyteller Structural Edits Titles Traditional Publishing Virginia Woolf Wild Spinning Girls Word Birds Workshops Writers Writing Writing Advice Writing Group Writing rituals

Archives

  • August 2022
  • April 2022
  • March 2022
  • February 2022
  • September 2021
  • July 2021
  • June 2021
  • April 2021
  • February 2021
  • November 2020
  • September 2020
  • August 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
“The vote means nothing to women. We should be armed" ~ Edna O'Brien

Create a free website or blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • Making it up as I go along
    • Join 166 other followers
    • Already have a WordPress.com account? Log in now.
    • Making it up as I go along
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...