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Making it up as I go along

Making it up as I go along

Tag Archives: Writing

“Writing is a verb” *

21 Sunday Jan 2018

Posted by Carol Lovekin in Uncategorized

≈ 15 Comments

Tags

Extract, Quotations, Snow Sisters, Twitter, Writing, Writing Advice

Island Life, Word Birds & Process

With three weeks of the new year behind me, I’ve effectively managed to swerve any notion of resolutions. I am resolved to write. I’m always resolved to write! Writing is my activity of choice.

Back in the day (the Live Journal days) I wrote reams about my writing process. LJ was my La La Land of Hope while I waited for my moment, largely convinced it would never come. When it did, I created this blog, because it’s a more professional looking site & I was keen to attract a bigger audience. By & large it’s worked. Trolls notwithstanding (we all get them: mysterious beings who come & go) I have a nice following. No idea how many read me & although I appreciate each & every one of them/you who engage & comment, if others don’t, it doesn’t matter.

I still write for me, the difference is, I’ve now published two books. When people ask me what I do & I say, ‘Write books’ they nearly always reply, ‘What are they about?’ (I do the same thing myself.) Nowadays I tell them I write ghost stories with a dash of Welsh Gothic.

Ever since I first began writing I’ve guarded my words. All my writing is first & foremost for me – including my stories. If they don’t please me, why would I imagine anyone else would want to read them? So yes, I like them polished before I share. I would never share from a work in progress (work in chaos?) & for fear of coming across as a diva, up until now I’ve shied away from even published extracts. But, as someone lovely said to me recently, time to get over myself…

Today then, I’m following Ms Harris’ advice. If you’re still with me, dear reader, please find below, a short extract from my second book, Snow Sisters.

ss 1 (2)

Ghosts linger in the seams and cracks in time; the still places between human breath.
In Meredith’s dreams there was now no ambiguity. She woke with them intact, each detail imprinted. She didn’t know what to do with the weight of Angharad’s sadness. In the darkness, she made her way to Verity’s room, curled in beside her sister, and for once, Verity didn’t complain.
‘I wish she’d stop crying,’ Meredith said. ‘It’s the saddest thing in the world.’
Verity gazed at her sister’s face. Her skin was as thin as a soap bubble.
‘A bad thing really did happen to her, Verity.’
‘Yes, I think it did.’
‘Even though it’s hard for her, she doesn’t want to leave anything out.’
‘You mustn’t leave anything out either, Meri – tell me everything you can remember. I can’t bear for you to be sad too.’
‘Are we in this together then?’
Verity recalled the desolate look on the ghost’s face, how she disappeared through the wall; she felt the snowball against her skin and the sensation of fainting. The idea that she had imagined any of it now seemed improbable. Whatever purpose or plan the ghost had, Verity wasn’t going to leave her sister to deal with it alone.
And if I deny Angharad, Meri won’t. she won’t stop, whatever I decide.
‘I promise.’
Meredith nodded. Beneath her eyes the skin was still blemished with fatigue.
‘Have you had any sleep?’
‘I must have or I wouldn’t have dreamed.’
Verity stroked Meredith’s hair away from her forehead. ‘It doesn’t count. You need proper sleep without dreaming. Why don’t you stay here? I’ll read you a story if that helps.’
Meredith’s eyes brightened.
‘Will you get Nelly?’
‘Yes, then a story and we’ll both try and sleep a bit more.’
In Meredith’s room the air was damp. As Verity collected the velvet rabbit she wondered if she was grown up enough to deal with what was happening. She thought about telling her grandmother and knew she wouldn’t. She wouldn’t go back on her word. But thinking about Meredith’s bruised eyes, her determination to help a ghost neither of them could prove existed, she wasn’t sure how long she could keep her promise.

Snow Sisters Cover final front only LARGE - Copy (4) - Copy

* Philip Pullman

And so forth…

17 Sunday Dec 2017

Posted by Carol Lovekin in Uncategorized

≈ 1 Comment

Tags

Book 3, Process, Word Birds, Writing

Island Life, Word Birds & Process

Another of my random, insular ramblings…

I’m mired in delicious muddle. I ought to be terrified but I’m not because I can smell this story – deep in the seams of the forty thousand words I’ve written so far: a sweet scent I can’t quite identify.

And Mistress Crow is indefatigable, overseeing my days & keeping me on my toes like a feathered slave driver…

17424675_1760803527581767_6725683672176258521_n (2)

I always know how my stories begin & usually, how they’re likely to end. That said, even if I have a fair idea about the bit in the middle, I still have to make it work: find a way to get the narrative to carry me from the opening to the closing chapter.

My writing is rarely linear & although I always create a detailed outline, as I get the bit between my teeth & my characters begin to let me in, I often find myself writing extended scenes in isolation. By definition, there’s little or no continuity to them, & not much structure. Which is both part of the problem & exciting. Each one is an unconscious exploration of both my characters & my various plot scenarios. Some are random conversations which can occur to me in the unlikeliest of places. (Often in the bath.)

Speaking of the unexpected, having decided to change from an experimental Third Person Present back to plain Third, I ‘wasted’ several hours of writing time this past week ‘resetting’ my manuscript. The upside was an unavoidable but joyful ‘edit as I go’ scenario which reinforced my conviction that I’m on to something. The ‘voices in my head’ are becoming clearer – the way untangles, one chapter at a time…

The art of not writing

19 Sunday Nov 2017

Posted by Carol Lovekin in Uncategorized

≈ 11 Comments

Tags

Ghosts, Not Writing, Storyteller, Unwell, Word Birds, Writing

Island Life, Word Birds & Process

Two weeks ago I was felled (I love it when word usage genuinely fits) by an upper case Damned Bloody Virus upon which I now wish every level of Hell. It’s a fortnight of my life lost to misery, moping & mucus. For several days I couldn’t read never mind write – drifting in a pastiche of every tragic ‘heroine scenario’ you can imagine & in which the chaise longue took centre stage.

I know…

In my head however real story scenes floated, not all of them useless. It’s writing but not writing as we know it… And it’s a trick most writers manage in spite of the obvious obstacles. Like forgetting stuff because the DBV has Taken Over Your Brain.

The problem with not being able to write anything down means my notoriously unreliable memory has put to the test. After the first week I was able to begin scribbling notes again & miraculously much of what I conjured in extremis appears to have survived. Mostly ghostly, slightly surreal, but given my state of mind, hardly surprising.

And the DBV may have done me a sideways favour. I knew before it hit I’d been consciously searching for a different internal pattern to the voice of this new story. It’s a tale concerning identity, on a deeply fundamental level. The echoes of motifs I recognise from my reading of books steeped in Gothic Romance are refusing to be silenced. I’m digging deeper & my characters will surely follow suit, into the shadows & cobwebbed corners of my imagination.

My word birds have been kind & patient but they’re getting restless & I love them for it. Taking it easy is still A Good Thing but cobwebs notwithstanding – & a new moon on the rise – I’m determined to return to my story very soon. Because, damn – I can sense it & it’s whispering – like my ghost, like the birds…

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Small magic

29 Sunday Oct 2017

Posted by Carol Lovekin in Uncategorized

≈ 3 Comments

Tags

Books, Library event, Magic, Writers, Writing

Island Life, Word Birds & Process

Yesterday I attended a local Library Event. I live an hour away from the venue so yes, a short journey to get there. As I drove, with the early morning mist drifting heavy as smoke between the trees, I was struck by the simple beauty of it. I thought about what the mist might conceal, what wonders I might discover if only I knew the magic words to let me through.

But I was driving & there was somewhere I needed to be. I contented myself with the wondering. The road unwound, the mist magic changed shape & it occurred to me how well authentic magic holds the world together. How cleverly nature presents us with a version of unreality we don’t have to explain, because now and then we can suspend disbelief & enjoy small magic.

We were a merry band – most of us knew one another & we were there because we care about what we do. About writing, books & yes, libraries. If we were disappointed by the small footfall, we made the best of it. The staff were fabulous: they supplied us with coffee, tea & biscuits, expressed their gratitude to us for supporting them. We sold the odd book (or not) & chatted with each other.

22814444_10154704612552132_4356327104886423910_n (1)
With Christoph Fischer – the Dude

I could have stayed home & cracked on with my new story. I’m glad I didn’t. I’m pleased I filled the day with people, books & engaging conversations. The space in between the pages of my new draft is full of placeholders, for what I don’t yet know. The clocks went back last night & this morning I woke to delicious darkness (another small magic we take for granted.) I contemplated my new ghost: the improbable (perhaps the impossible) & how I might make it imaginable.

In that bright, welcoming library, as I signed my one sale – & dedicated it to the wife of a lovely man who bought it because he knew her well enough to know it would be her kind of book – I was reminded that days like these are small magic & the best kind.

‘It is a delicious thing to write…’ *

22 Sunday Oct 2017

Posted by Carol Lovekin in Uncategorized

≈ 10 Comments

Tags

Book3, Hinterland, Welsh Gothic, Writing

Island Life, Word Birds & Process

‘… to be no longer yourself but to move in an entire universe of your own creating.’

Thursday’s new moon slipped in under my radar. What with one book thing and another, I’ve been preoccupied & not kept up with Lady Lunar’s activity. I do love a new moon though – time to make a fresh plan (I’m an Aquarian – we love a plan.)

My latest one involves diligent routine & writing every day. With Snow Sisters safely out in the world it’s time to settle in & concentrate on the next book. This is a time of genuine renaissance for me. Inside my head the stories are piling up, begging to be written. I’m too motivated to do anything other than knuckle down, listen to my word birds & keep up.

There’s nothing on earth as creatively exciting as falling headlong into a new story. The same terror grips – can I do it again? I’m beset by the same moments of insecurity but I’m back in my favourite place: looking out on the changing, shifting Welsh sky. Book 3 unfolds in a muddle of randomness (my usual modus operandi.) My brave word birds refuse to be put off by the wild weather. Between us, we have another tale to tell.

This time I’m embracing the mantel of Welsh Gothic my editor generously & unexpectedly conferred on me at the launch for Snow Sisters. Set on the bleak Welsh hinterland, this story has a ghost no one can see, sisters who don’t know they are & a lady mechanic who is anything but a lady.

You’re welcome.

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* Gustave Flaubert

Not nepotism

30 Sunday Jul 2017

Posted by Carol Lovekin in Uncategorized

≈ 6 Comments

Tags

Authors, Books, Glittering Prizes, Honno, Writing

Island Life, Word Birds & Process

Last year it was loudly promulgated, by the few who can never resist, that nominations for the Guardian’s Not the Booker Prize were largely the result of in-house publishing/author nepotism. There’s a trickle this year too and it’s silly. Occasional irresponsible lapses notwithstanding, the idea that I would nominate a book by one of my sister Honno authors just because she’s published by Honno makes me itch.

I nominated Not Thomas by Sara Gethin before I realised other people had. As a single nomination secures a place on the NTBP longlist and other people had already picked everyone else on my list I tried to ‘cancel’ my vote (you can’t delete it), spread my net wider and nominate See What I Have Done by Sarah Schmidt and The Roanoke Girls by Amy Engels both of which I adored. (I don’t know either of these authors so no one can accuse me of bias.)

In truth, I wouldn’t care if they did. Not Thomas was top of my list purely because it’s a beautiful book: an extraordinary story which deserves to win prizes. There was no partiality. I simply love the book and I’m proud to be published by a press with such discerning taste!

not thomas

My list of possible nominations included Su Bristow’s exquisite Sealskin
and Maria in the Moon by Louise Beech, both published by Orenda Books a publishing house for which I have a huge regard. Each of these authors has endorsed my forthcoming novel, Snow Sisters. Does that make my choices in some way reciprocal back-scratching? The Wild Air by Rebecca Mascull was on my list too – she gave me a wonderful quote for my first novel, Ghostbird. Does that constitute some form of sycophantic favouritism? Not in my view. All it means is I’m fortunate to know a bunch of brilliant, generous writers!

Pish and twaddle, frankly. And all things in my world being eminently equal – the very best of luck to everyone nominated for this fun prize. In particular, my favourites!

The spaces in between

25 Sunday Jun 2017

Posted by Carol Lovekin in Uncategorized

≈ 2 Comments

Tags

Drafts, Island Life, Quotations, Writing

Island Life, Word Birds & Process

In that order, oh yes, it’s an Island Life morning & no mistake. The earlier mist has lifted a bit although it remains Avalonian & suitably mysterious. I can hear a bird too, see the swifts feeding on the wing. And there is always the process…

I suspect I may have used my title before: the spaces in between are familiar to writers. With one book finished (as in – being scrutinised by copy editors, proofreaders et al ) & the scent of launch day not as far away as I imagine, there is a temptation to tread water. Think about guest posts & the answers to questions I haven’t yet been asked. Faff a bit in pictorial procrastination. (Good eh?) I’m a collector of images & always on the look out for unusual ones. I don’t need much of an excuse to play…

“I’m restless. Things are calling me away. My hair is being pulled by the stars again.”

Thus spake the glorious Anaïs Nin.

anais nin

For stars, read words & you have it. (I’m guessing that’s what she meant.) I am being pulled by my words. But which story do I choose? For I do have choices: a completed (four drafts in) of one & the exciting draft zero of another. Perhaps I ought to toss a coin. Either way, the space must be filled. I’m restless & not writing isn’t an option.

The two-trick pony & the ghosts in her machine

28 Sunday May 2017

Posted by Carol Lovekin in Uncategorized

≈ 1 Comment

Tags

Ghostbird, Quotations, RiverBook, Snow Sisters, Virginia Woolf, Writing

Island Life, Word Birds & Process

Although I like authors who reinvent themselves, I’m partial to familiarity too. Publishers, agents & editors tend to like ‘more of the same’ & in my experience, readers lap it up. This is not to say a writer shouldn’t stretch herself. ‘RiverBook’ – the story I thought was going to be a follow-up to Ghostbird – has no ghost. It has a much older main protagonist too. I first abandoned it to write Snow Sisters – which came out of left field insisting ghost stories (& sister stories) are what I write.

With this book accepted for publication, the one-hit wonder is on the road to becoming a two-trick pony. And what larks that evokes! I’m a book-writer now & no mistake. I need new shoes at the very least!

While Snow Sisters waits patiently in the copy-edit queue, I have to write something. It made sense to reacquaint myself with ‘River’ which I did, only to be ambushed yet again by another ghost. Once more, poor ‘River’ has been usurped (there’s no other word for it) by a sneaky interloper dragging a spook behind her…

If the cap fits we are told, wear it. And so I shall. Once again my cap is made from mist & secrets & stretches of endless Welsh sky. It’s decorated with raven feathers & when I set it aside, I swear it whispers fragments of words which can only be the voice of a ghost…

Currently, it’s a muddle; the usual random scribbles but as I place them on the page, something more solid begins to emerge.

Naturally, there is a level of apprehension attached to writing ‘more of the same’ but I comfort myself with the thought that it’s good enough for some of my literary sheroes. And I have no particular desire to take a different direction. I have no need to reinvent myself – at this stage I’m barely invented! I know my place if you like & it suits. In the end, it will be down to my reader. If Snow Sisters suits then why not write another ghost story? Why not set another book in my beloved Welsh hinterland among the bones of dragons, conjuring spells and listening for the voice of a ghost?

And who knows, perhaps ‘RiverBook’ will one day make it out of the shallows. She has four drafts to her name & the tenacity of a terrier.

NPG Ax142596; Virginia Woolf (nÈe Stephen) by Lady Ottoline Morrell

How are we to account for the strange human craving for the pleasure of feeling afraid which is so much involved in our love of ghost stories?
~ Virginia Woolf

Writing & reading the magic

26 Sunday Mar 2017

Posted by Carol Lovekin in Uncategorized

≈ 4 Comments

Tags

Extract, Ghostbird, Writing

Island Life, Word Birds & Process

Received wisdom has it we ought to write about what we know. Perhaps. Then again, I know a lot about shoes & cake but other than the odd aside, have no desire to write stories about either of these things.

I think it’s less about writing what we know & more about writing the kind of stories we want to read. The books I’m drawn to are the ones in which enchantment glances off the shoulder of reality; where authentic moments of wonder can make me believe in the possibility of magic. I’m not talking about the kind that comes wearing a pointy hat or casting a spell. Real magic isn’t only in the Mystery, it’s in the everyday, in the small things we often miss because we’re too busy to notice. It’s in relationships & families, in joy, sadness & silence. Magic keeps secrets, it’s old & wise & if we want it we have to listen for it. If we need it, it will hear us.

Towards the end of Ghostbird, my central character, Cadi Hopkins, listens hard. She has little choice. Unless she trusts, the past can’t be forgiven or healed. She’s young & inexperienced but she’s brave & the granddaughter of a witchwoman.

When a girl of fourteen has longed for something for most of her life, when the sense of it clings like dust to the edge of every waking thought, it’s possible old magic will hear her.

Who knows what’s real? I only ever ask my reader to believe in the possibility that a suspension of her disbelief might be worth the gamble. And when I pick up a book in which the author suggests magic might be afoot, I approach it in the same way.

Toni Morrison said it most elegantly.

tm

Happy reading, wherever the magic takes you.

Notes in the margins…

12 Sunday Mar 2017

Posted by Carol Lovekin in Uncategorized

≈ 8 Comments

Tags

IWD, Public speaking, Technology, Writing

Island Life, word Birds & Process

As I write this blog primarily for myself, it doesn’t matter if I miss a week or even if what I write is relevant to anyone else. Last week, buoyed by early morning words concerning ducks in rows, myriad notes & plot particulars, I was quickly brought back to earth by Monitorgate.

Is there anything more disheartening to a writer than a dead screen?

There’s only so much I can write by hand: notes are not necessarily narrative (not the random way I write at any rate.) After a couple of hours, everything I could do by hand was done. I needed access & access was denied: the World of Word[s] was closed to me…

The blessed Janey turned up the following day with a spare monitor but after a day spent in limbo I realised how different the world of writing has become. I’m a relative latecomer to computers having bought my first PC in 2006. Against all expectations it changed the way I wrote forever. (I was brought up on typewriters; I tried an electronic one (awful) & soon graduated to a word processor which I loved.) The PC was a revelation & I soon cottoned on to its magic. I loved the convenience & the tricks: cut & paste without the glue & scissors! (Spellchecking without a cauldron or a wand in sight.)

I didn’t entirely leave behind the world of paper. I require the physical feel of it, the smell of pencil shavings. I still write copious notes; scenes & the outline of chapters by hand, mostly in bed in the early morning. Grey & occasionally smudged to ghostliness, they are notes in my margins so to speak, essential to my story & my process.

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But there comes a point when nothing moves on unless I’m slotting said notes into my on-screen narrative. A paragraph placed between the lines –  click  – another shifted to an alternative page – click – another deleted – click… Effortless & quick – you get the picture. And the bonus is a visibly increasing wordcount making me feel unutterably smug & virtuous.

In other news, the International Women’s Day event I attended as part of a Honno panel was exactly what I needed to rid myself of Public Panel Paranoia. It was the audience that did it – a sea of smiling, engaged faces, soaking up the nerves & making it OKAY.

I love women…

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My novels

Wild Spinning Girls
Wild Spinning Girls
Snow Sisters
Snow Sisters
Ghostbird
Ghostbird
Only May
Only May
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