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Making it up as I go along

Making it up as I go along

Tag Archives: Dead Darlings

Due Process

20 Tuesday Oct 2015

Posted by Carol Lovekin in Uncategorized

≈ 1 Comment

Tags

Books, Dead Darlings, Editing, Editor, Ghostbird

I’m reading a book in which the main protagonist is a High Court Judge. The phrase, ‘due process’ struck me.

‘Process’ is one of those words writers struggle to find an alternative for. The other day, on Facebook, I called it a cliché before reminding myself that most clichés are true.

I’m currently line-editing my book, Ghostbird, a part of the process I’ve never before encountered. I knew about editing and proofreading (and the crucial difference between the two.) I knew what copy-editing was. And I understood the need to be edited. What I had no previous experience of was a professionally line-edited manuscript.

The reality of it took my breath away.

I opened the document and was hit in the face by a waterfall of highlighted, struck-through, underlined wordage, accompanied by ‘comments’ in assertive boxes.

One thing was clear. I wasn’t going to be allowed to get away with anything. Not if it wasn’t in the best interests of my story.

And breathe… Because that’s what you have to do. What I decided I had to do. Take a great big breath and knuckle down. In some ways, it’s the hardest thing I’ve ever done. It’s one thing to choose to kill your darlings – it’s between me and them and I’m quite good at it now. I even have a file called ‘Dead Darlings.’ (You never know…) It’s another thing entirely to see them ‘offed’ by a third party!

All of that apart, it’s definitely the most rewarding part of the process. And like all the other steps, it’s the first time and needs to be cherished. Several published writers have urged me to savour each step of the process because there will never be a repeat of those magical ‘first’ moments. Getting the offer of publication and accepting it. Taking delivery of a contract, creating a cover and the myriad other ‘firsts’ involved in one’s first book.

Not least, the editing.

And the line edit is where the magic happens. I’m fortunate – my editor is gifted. She is wiser than Yoda (I’m not kidding) and she knows stuff. With her keen eye and gentle insistence, my little book emerges – a butterfly from her chrysalis.

‘…a word is not a single and separate entity, but part of other words…’ *

17 Monday Aug 2015

Posted by Carol Lovekin in Uncategorized

≈ 4 Comments

Tags

Dead Darlings, Drafts, Editing, Prose, Quotations, Virginia Woolf, Writing

It is the lot of a first draft to be the dumping ground for sundry swathes of ‘darling’ destined for the verbal killing fields. As I draw to the end of this new draft zero I ponder what comes next. Run off a hard copy, read it through in as few sittings as possible in order to get an idea of how it works as a story. Next I’ll arm myself with a bunch of sharp pencils, a note pad, a highlighter pen and a willingness to laugh wryly at myself, and begin the second pass. This is when I start giving myself advice and hopefully identify any massive plot holes and structural issues.

By the time I get to the fine-tuning however, something more will be required.

Compelling prose requires big words – lyrical, signature words drenched in clarity; paragraphs stopping us in our tracks, causing us to pause and sigh before carrying on. That said, too many words are worn out by constant overuse. Small and seemingly innocent, they congregate in clichéd clusters waiting for a gap in the narrative. Within the spell of a lovely sentence, these words often have no meaning and serve no purpose. Their only function is to render a perfect sentence cursed. I don’t mean proud, exquisite, conjuring words. What I’m talking about are the little ones, expressing nothing more than the bad habits of language. A beautiful sentence is rarely enhanced by dull, irrelevant words. (See title for good ‘but’ usage.)

Ironic perhaps to choose a Virginia Woolf quotation: she was after all partial to a bit of wordage. She also had an acute eye for the lyrical and she understood style. The individual writer chooses her style. Our voice tends to choose us; style is something else and can be considered. We can edit our style as we edit our narrative arcs, poke around in our plots and ravage our purple prose.

I’m getting ahead of myself: there are miles to go before I’m ready for this level of close editing. It doesn’t hurt to be reminded though and to that end, I best get a move on…

* Virginia Woolf

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