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Making it up as I go along

Making it up as I go along

Author Archives: Carol Lovekin

Begin at the beginning

01 Sunday Jan 2017

Posted by Carol Lovekin in Uncategorized

≈ 6 Comments

Tags

Drafts, Editing, Epigrams, First Lines, Ghostbird, Mise en Abîme, Quotations, Reviews, Writers, Writing

Island Life, Word Birds & Process

onceuponatime

Once upon a time is the place where most stories begin. The writer will rarely know for certain where her latest story came from, only that it did. The initial trace will have landed in the bit of her brain marked ‘story.’ From there, if the thing has wheels, in the excitement, that first spark may get forgotten; a once upon a moment lost in the thrill of the story taking shape. It doesn’t matter. It is what it was: a glimmer, a dream or possibly a first line – & even that’s likely to get side-lined.

My favourite first line was written by the immaculate Dodie Smith in I Capture the Castle – ‘I write this sitting in the kitchen sink.’ The image conjured is perfect & instantly the reader wants to know where, what, when & why.

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Our original first lines rarely make it to the final cut – editors often see to that – it’s their job. In the event they don’t make us change it, we have almost always done so ourselves, many times.

First lines are the bane of a writer’s life because readers devour them & we have to get them right. Like a cover or a blurb, a memorable one can mean the difference between a sale and a rejection. I always imagine my first lines are pretty cool. I’m often wrong & have a good laugh/wry smile when the real one emerges.

The story I’m currently working on is in third draft. It began with some pretentious attempt as a series of mise en abîme which, by the second draft, were rejected in favour of a simple epigram. Although I liked it – I’m fond of epigrams – by the current draft I recognised these few lines worked better within the narrative. (What I now have is a secret.)

So far mind, the beginning of chapter one hasn’t changed. As first lines go it’s pretty ordinary – ten words, none of them startling or uppity. They do set the scene. I hope I get to keep them. And out of the blue, a few days ago the word birds dropped by with the first line of Book 4. It’s lush.

Onward & sideways!

Oh yes, while you’re here, I wish you a joyous 2017. If you read Ghostbird, thank you. If you reviewed it, I adore you. If you are writing your own story – may the New Year gift you a cooperative Muse, a fabulous first line & this little hackneyed, clichéd, perfect mantra.

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My top books of 2016

18 Sunday Dec 2016

Posted by Carol Lovekin in Uncategorized

≈ 4 Comments

Tags

Authors, Books, Proofs, Top Books 2016, Writers

New books are a joy. From the silken touch of a perfect cover and the scent of pristine pages to the intrigue of a blurb, the experience of handling a new book can’t be bettered. Books are my drug of choice: I am an addict.

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I don’t read new books exclusively. I can’t afford to and in any case, I derive pleasure from rereading books from my collection. (And secondhand books shops are my version of Aladdin’s cave.) There is, however, nothing as irresistible as the lush cover of a brand new book.

This year’s crop includes some pre-publication proof copies. I remain grateful to the publishers/publicists who gifted them.

In first name alphabetical order these then are the books that most captivated me this year.

The Bird Tribunal – Agnes Ravatn (Orenda Books)

The Darkest Secret – Alex Marwood (Sphere)

 In Her Wake – Amanda Jennings (Orenda Books)

The Little Red Chairs – Edna O’Brien (Faber & Faber)

The White Camellia – Juliet Greenwood (Honno Press)

 Gardening with Deer – Kathy Miles (Cinnamon Press)

 The Mountain In My Shoe – Louise Beech (Orenda Books)

 This Must Be The Place – Maggie O’Farrell (Tinder Press)

  Song of the Sea Maid – Rebecca Mascull (Hodder & Stoughton)

  Tastes Like Fear – Sarah Hilary (Headline)

  Where My Heart Used to Beat – Sebastian Faulks (Vintage)

  The Unravelling – Thorne Moore (Honno Press)

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Other new books I read in 2016 include a couple more brilliant proofs: See What I Have Done by Sarah Schmidt (Tinder Press) and Su Bristow’s mesmerising Sealskin (Orenda Books), both due for release in 2017.

Thank you, dear authors for writing such an eclectic collection of juicy books. And equally, thank you publishers; not least the smaller presses who continue to produce stunning books in a hugely competitive market.

The morning after…

11 Sunday Dec 2016

Posted by Carol Lovekin in Uncategorized

≈ 14 Comments

Tags

Blodeuwedd, Book Fair, Facebook, Ghostbird, Llandeilo, Photographs, Public speaking, Sky, Word Birds

Island Life, Word Birds & Process #28

On Facebook I’ve been boring the pants off people with photographs of the view from my aerie. The sky is never the same & some mornings too marvellous not to share: wide Welsh skies festooned with wonder.

Yesterday I attended a book fair in Llandeilo – a day of delights which I’ll expand on (in not too much detail – fear not) shortly. This morning, having slept late, I woke to this view which perfectly encapsulates why there are days when I truly feel as if I’m living on an island.

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No sign of the hills, only that perfect hint of the rising sun & a sense that the trees hovering in the mist might at any moment disappear.

(As for the rest, the process is in stasis as I wait … the word birds do their best, nagging me each morning with whispered pencil songs for book three…)

The book fair was a joyous occasion, not least because in this part of Wales the book writing community is tight. Many of us know each other well; these events are a gathering of supportive friends & colleagues as much as anything. I shared space with two established Honno authors who made me feel like one of the gang, sold books to lovely people & did a reading from Ghostbird to a receptive audience.

As well as catching up with good people, what I appreciate about these affairs is the opportunity to talk about my work & to network. I was approached by someone to give a talk in the spring related to the myth of Blodeuwedd. Having discovered I genuinely enjoy ‘performing’ I’m chuffed to buttons to be asked.

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After ten months as a published author, I’m finally beginning to feel as if I belong.

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Nothing is a secret

04 Sunday Dec 2016

Posted by Carol Lovekin in Uncategorized

≈ 2 Comments

Tags

Christmas, Lunar Market, Writers, Writing, Writing Advice, Writing Secrets

Island Life, Word Birds & Process #27

It’s that time of year, when secrets abound: surprises for our beloveds & the annual trick of keeping them from bright-eyed children. It’s a magical time & I’m a big fan of these sorts of secrets. There are other kinds too – the ones as writers we hold onto for fear the sharing of them might diminish our power. The tricks & stratagems we employ hoping to facilitate better writing that may perhaps give us an edge on the competition.

Yesterday, in my guise as author, I attended a local Christmas Fair in Llanfair Clydogau, a small village four miles from Lampeter. I signed & sold copies of Ghostbird to lovely people from my community. Two Welsh women in particular whose knowledge of the myth of Blodeuwedd (the thread running through the story) was as good if not better than my own.

I also spoke to a couple of yet to be published writers, both of whom were curious to know about aspects of writing, from how to maintain the discipline to how traditional publishing works. Both were genuinely interested, charming & committed. I found myself happily sharing information & even, in the case of one of them, giving up a couple of ‘secrets’ which in my view is different from offering advice. Her reaction to one was such – ‘Oh, I’d never have thought of that, how clever!’ – I realised I didn’t mind sharing. (It’s not like I made it up all by myself – I’ve never heard of it before but I bet there are loads of authors who give their characters birth signs, the better to understand them.)

I never offer advice on writing. Hello? One book published – how does that make me an expert? What I do say to anyone who genuinely wants to know is the following. Never use the word aspiring. Unless they are professional editors, never assume your family & friends can edit. They are your family & friends; they’re supposed to think you are brilliant. It’s their job to tell you your shopping lists are worthy of publication. Pay for the real thing! And don’t assume you have to self-publish first – buy a copy of Writers & Artists’ Yearbook & think big!

This is borderline advice I suppose – hey – they asked me.

Writing secrets are different. I had another chat with a talented artist, Claire Parsons. (You can find her work here.) We discussed the merits of sharing creative tricks of the trade. She mentioned a particular technique she had shown a fellow artist & how grateful he had been for the insight. (I mentioned my other favourite tip: when embarking on your first line edit, change the font.)

As I paid Claire for one of her gorgeous cards she said, ‘The thing is, nothing’s a secret.’

I thought about the seasonal secrets I’m keeping but knew, Claire didn’t mean that. Over the past few years I’ve learned a huge amount about my craft from numerous generous & gifted writers & editors. Surely, if we are fortunate enough to be taught by talented mentors, we ought to be happy to share the knowledge?

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Llanfair Clydogau
©
Claire Parson

The private face of the public writer

20 Sunday Nov 2016

Posted by Carol Lovekin in Uncategorized

≈ 5 Comments

Tags

Feminism, Ghostbird, Quotations, Social Media, Virginia Woolf, Writing

Island Life, Word Birds & Process #26

‘If one is to deal with people on a large scale,’ Virginia Woolf said, ‘and say what one thinks, how can one avoid melancholy?’

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‘Melancholy’ is laying it on a bit thick although I take her point. If I had a pound for every time I’ve held my fire on social media, I’d be that proverbially rich woman. And never mind melancholic, I’d be in state of permanent fury. Since I’ve been published, not saying what I think had become an unexpected thing for me.

It’s a conflict of interests, frankly.

Promoting oneself as a writer via social media is a good way to get noticed. I appreciate my responsibility to my book and to my wonderful publisher, and do the best I can. It’s a fine line though – however small your platform, it’s too easy to allow yourself to be enticed into controversy, which may possibly do your book no good at all.

In days of yore I was vocally political and a committed activist. (Feminism has a great deal to thank the second wave for. You’re welcome.) It’s a different world now and online I’m choosing to take a back seat. It doesn’t mean my heart isn’t still on raging fire.

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Where social media is concerned I keep my distance from controvosy and avoid saying what I really think a lot. Not that it matters – I may have had a book published, I’m not JK Rowling – who cares what I think anyway? Well, that’s the point – people do (often they’re weird people) and it’s easy to get caught up in all sorts of scary malarkey.

Forty-eight people subscribe to this blog. Small-fry in the big old blogosphere scheme of things, but in my world, that’s a lot of people reading what I have to say – about anything. I’m not far off nine hundred Twitter followers too. I like Twitter; it’s been good to me in terms of promoting Ghostbird even though I know I don’t use it to its fullest capacity. I can’t; I don’t have time. And to be honest, if I was on it like a leech, day after day, I’d get no work done and have nothing to promote anyway. Facebook is fun and most of the time I like it too. Thus far I’ve avoided anything contentious, and managed to extricate myself from the odd contretemps by being polite.

For a woman who likes the sound of her own voice, I’m a very private person. I keep 99% of my personal life to myself. And this is the nub of the thing. I don’t know if there’s a line, and if there is, where it is. I think we draw our own and as a writer, I choose to walk a relatively gentle one. I stick to posts about writing and swimming and the view from my aerie. Don’t be fooled though – my private face often has its eyes narrowed and its lips pursed in case a snarky, radical, barbed comment is required.

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‘If you surrender to the wind, you can ride it.’
~Toni Morrison

First drafts, learning by experience & writing to keep up

13 Sunday Nov 2016

Posted by Carol Lovekin in Uncategorized

≈ 4 Comments

Tags

Drafts, RiverBook, Word Birds, Writing

Island Life, Word Birds & Process #25

I fear I have confused the word birds. Having cwtched down for the past however many months, the ones making up the first draft of my next story have had time to bed in – feel secure and imagine their contributions safe from any mucking about on my part. Yesterday they were rudely awakened. Having opened the document, sadly (for the word birds) inevitably for me, mucking about is what I must now do.

The story was written before book two (which I have recently completed), when I still had a good deal to learn. I’ve known for a while now that a major aspect of it would have to go, that the entire thing is in need of paring down and simplifying. The reason I know is because of the process I’ve recently been through with book two. The structural edits and the rewrite were done far more quickly than I expected, largely because I’m getting better at it. Once I knew what I needed to do, the doing of it came relatively easily.

This next story is a departure – I’m writing an older central character for one thing. Still meddling in the magic but trying my hand at a more immediate story, something rooted in the present and only vaguely referencing the past. It isn’t easy for me. I adore backstory. I love writing it – I like the way the past informs the present and I’m rarely put off by books that make a feature of backstory. I do know there’s a trick to writing it. It’s something I’m absolutely learning and it’s a revelation.

Damn, I love this writing lark – I have a head full of stories, each one more easily conjured than its predecessor. There’s no help for it – I have to keep at it, keep up and live to be a hundred.

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Rewrite, recite…

26 Wednesday Oct 2016

Posted by Carol Lovekin in Uncategorized

≈ 3 Comments

Tags

Editing, Reading Out Loud, Snow Sisters, Structural Edits, Writing

Island Life, Word Birds & Process #24

On my bathroom wall hangs one of those pretty plaques – the kind with an elegant font & soothing words. Mine was a gift from my writing sister, Janey (aka Hexica for those of you who know me/her on Facebook.) It urges me to Relax, Refresh, Renew.

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I have no problem with this – I love my bath & as I’ve mentioned before, have a great many writing light bulb moments whilst lollygagging in rose & geranium-scented water. While I worked on this recent, detailed draft of my second book, it occurred to me to add a post-it note to the plaque with the word Rewrite on it.

It took me seven weeks to complete this structural rewrite & I’ve spent the last few days line-editing it too. As well as checking everything in sight with my squinty eyes, when I do a line-edit I read the dialogue out loud. It’s the only way to make sure it’s authentic. Sometime during the process, I considered adding Recite to the mantra.

Living alone has many benefits – not being considered nuts by your nearest & dearest when you talk to yourself (and answer) is one of them. As I waffled away the cat showed up, hopefully translating, ‘It was under a dustsheet, in an old wooden trunk with a pile of moth-eaten clothes’ into ‘Knock yourself out, Misty, have a whole sachet of Dreamies.’ It didn’t work of course & Misty is the mistress of the affronted sashay. (I know – couldn’t resist.) Off she went & I returned to my waffling.

On Twitter yesterday I noticed another friend has been going through exactly the same procedure. Jenny finished her own out loud read through (& added it was time to celebrate with chocolate.)

Quite.

It’s a good trick, this reading out loud lark & one that can’t be over-emphasised. As is the one involving chocolate.

A draft is a half-formed thing

16 Sunday Oct 2016

Posted by Carol Lovekin in Uncategorized

≈ 7 Comments

Tags

Books, Drafts, Editing, Editor, Ghostbird, Honno, Ideas, Quotations, Reading, Snow Sisters, Writers, Writing, Writing Group

Island Life, Word Birds & Process #24

Earlier in the week my writing group sister & I were discussing a quotation she’d come across. Anyone who knows me knows my take on these things. The more ‘inspirational’ they are the less likely I am to be enamoured. This one is different. It’s less inspirational & more common sense. We were in agreement.

“Hard writing makes easy reading. Easy writing makes hard reading.”

Although the quote has been officially credited to William Knowlton Zinsser, an American writer, literary critic, editor & teacher, it’s also been attributed to Ernest Hemingway. It hardly matters. For the purposes of making my point, I’m happy to have Hemingway on my side too. Neither writer meant ‘easy’ as in ‘peasy’ – they meant that when a book is easy to read the words flow, the eye is mesmerised; the pages turn as if by remote control because the whole is the the result of dedicated hard work, often  written in metaphorical blood.

My first book, Ghostbird, was published in March this year. It took me years to write, rewrite & eventually submit. It got rejected; I rewrote it, resubmitted & so forth. It was hard, hard work & eventually it paid off. I got a publishing deal with Honno, the Welsh Women’s Press. I think I can safely say, even if it isn’t your cup of tea, my book is easy to read.

I’m currently editing my second. I began writing it approximately eighteen months ago. The first draft was completed in roughly ten months which seemed ridiculously fast until I recognised I must have learned a few tricks on the way. (And there’s nothing like being published to make you want to write another book!) After I’d written the second draft (& edited the hell out of it) I submitted it to my editor, the gracious & scarily perceptive Janet Thomas. Her input was, as it always is, positive with added ‘buts.’

‘Buts’ are what a great editor excels at. ‘Buts’ are what they say after, ‘I love this part…’ It’s when the light bulbs go on, the boxes get ticked & the writer realises she still has work to do. It doesn’t matter because the solutions to the ‘buts’ make her heart sing.

This is my third draft – a deeply focused edit involving a good deal of rewriting based on Janet’s wise advice. I have excavated the layers beneath, accessed my authentic story; I’m doing the best I can for my characters. I hope to have this version finished by the end of the month. It will still be scrutinised again & possibly taken apart.

And here’s my point. The initial idea for our stories often comes out of somewhere unexpected. They take us by surprise, fire us up & it’s incredibly exciting. (I had the idea, characters & most of the story outlined for this current book in two days!) It’s the filling that takes the time. Writing a book is hard graft. There is more to it than a great idea. And a padded outline isn’t a story, a single draft isn’t enough. Neither is a second proofread, friend-read one. Until it’s been picked apart by someone with no agenda other than to make the story the best it can possibly be it remains a half-formed thing.

Unless one is Margaret Atwood – or someone of that calibre – an easy, quickly written story is a draft. Unedited, it grates on the eye, has the reader reaching for her metaphorical black pen. If we love our characters, have faith in our story why would we opt for easy? In my view, easy is lazy. Nothing worth doing comes without effort; least of all writing a book. It takes time, dedication & resolve.

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The title of this piece references the debut novel by Eimear McBride – A Girl is a Half-Formed Thing. It’s an extraordinary book, innovative & challenging, written in a mind- bending style that’s demands every iota of your attention. Once you give it, fall into the flow & joy of the prose, you realise this is a book that can only have taken the writer on the hardest of paths.

Writing never stops being hard but I reckon it’s the closest thing to bliss I’ve experienced. I’ve just finished reading a book that made me cry (in a good way), shake my head at the perfection of it. It wasn’t written & published in a few months. It has excellence, faultless research & attention to detail on every page. As I read, the pages turned by themselves, the words conjured spells & this morning when I came to the end, I stroked the cover & seriously considered going back to the beginning.

The book? It’s by Louise Beech & called The Mountain in My Shoe. I’ll be reviewing it soon, if I can resist reading it again.

Unexpected book review in blogging area

09 Sunday Oct 2016

Posted by Carol Lovekin in Uncategorized

≈ 3 Comments

Tags

Book Review, Honno, The White Camellia

Island Life, Word Birds & Process #23

I rarely add book reviews here. I don’t have many followers & this is where I tend to rattle on about my own writing. If I can’t support a sister Honno author here however, where can I? Well, yes, on Amazon & I’ve done that – we all know who’s in charge of promotion & stats!

*Curtsies to Amazon*

Juliet Greenwood writes historical mystery stories with a twist. She lives in north Wales, has a penchant for Cornwall (as do I) old houses (me too) & a story with a secret (tick.) She is unswervingly kind to other authors. She also has great taste in frocks.

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The White Camellia, is published by Honno, the Welsh Women’s Press. It’s fabulous.

My review

This is Juliet Greenwood’s third novel and in my view, her best to date. Her writing has matured, settings are beautifully drawn; characters leap off the page insisting on being heard. And in The White Camellia, they have a great deal to say. The women in particular, although the author writes men well – the good, the bad and the ones you really couldn’t give tuppence for!

Anyone interested in the grass roots aspect of the women’s suffrage movement will be intrigued by this story. Set aside for a while the more famously chronicled activities of Mrs Pankhurst, her suffragettes and her campaign of direct action. Take a seat in The White Camellia tearoom; listen in to the less subversive conversations that nevertheless led to equally effective agitation. It was in tearooms such as this one where many women first experienced a level of independence, found their voice and began campaigning for the right to vote. This is an extremely well researched book about what it meant to be a woman at the turn of the century, fighting (literally sometimes) for the vote. A woman didn’t need to be aggressive or actively militant to be arrested or attacked by the police and the prison system. Simply photographing the abusive methods of the police could land you in jail and lead to force-feeding, a particularly vile form of torture that left many women’s health utterly ruined.

The story begins gently – the author creates a perfect sense of the time, with an undertow of excitement that gradually emerges. Set in London and in the author’s beloved Cornwall, we first meet Beatrice, in the capital, picking up the pieces of her family’s shattered fortune, while discovering her courage as a woman in a world where men’s voices rule. In Cornwall, Sybil moves into Tressillion, a house with a dark past. These two women – with more in common that they know – are gradually drawn together by an old secret.

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It’s an intimate book on a grand scale, full of real people you care for. It has all the elements of great historical mystery: adventure, suspense, secrets and drama. And the right amount of romance to lighten the mood. Above all, it’s a book about the bravery of women, our foresisters whose courageous struggle, sadly, some of us still take for granted. HIGHLY RECOMMENDED.

The place in between

02 Sunday Oct 2016

Posted by Carol Lovekin in Uncategorized

≈ 10 Comments

Tags

Birds, Book Fair, Editor, Island Life, Snow Sisters, Structural Edits, Writers, Writing

Island Life, Word Birds & Process #22

Waking early to a perfect Island Life scenario. Mist made of a million feathers, a sense of the Avalon barge, perhaps offering me a lift to the Isle of Apples. While my bath runs, I reread a handwritten letter from a friend & I’m reminded of what matters. Family, love, kindness.

Moments such as these stop me in my tracks. Gazing across the misty hill, I add writing to the list.

With another book fair behind me I confess myself – yet again – a reluctant self-promoter. I know it must be done & fair play, I do it quite well. It’s part of the process. I am indebted to Honno, my publisher; a bit of social media is the least I can do.

It was grand to be with other writers at the book fair, with readers who kindly bought my book.

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And yet, today I’m experiencing relief because the next one isn’t until December.

The place in between stretches, uncluttered, silent save for the sound of the birds. I have need of them. To my astonishment, I’ve made it through the first half of the first round of structural edits on Book 2. It’s the second half that will test me however. It involves big changes. Good changes (I hope.) I must dig deep & put into practice the wisdom of my editor.

September is my favourite month. A new moon is emerging. My pencils are sharp. I’ve organised Premium bird seed & meal worms…

Onward & sideways.

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